Rick O'Shay - Style

Style

The backgrounds were realistically drawn; the characters were originally cartoonish (Rick's nose was pure cartoon), but became more realistic over the years. There are surreal themes mixed in (such as the pun-laden names). The strip was originally a humor strip set in the present day West, but in 1969 the setting was changed to the year 1869. Strong elements of adventure, philosophy, morality and tragedy (such as Hipshot teetering on the brink of death following a gunfight) were then added to the storyline.

Breathtaking scenery is often shown in single panels in the Sunday strip, with an unusual slant. Hipshot is frequently referred to as an "outlaw," and in one strip he decided to regain his losses at poker by holding up the local bank. But sometimes in the Sunday strip he is shown alone, on horseback, in the Western background, speaking to his Maker, whom he addresses as "Boss." He does not attend church and prefers to recognize his God in a privately styled fashion.

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Famous quotes containing the word style:

    Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.
    Friedrich Nietzsche (1844–1900)

    A church that can never have done with excommunicating Christ while it exists! Away with your broad and flat churches, and your narrow and tall churches! Take a step forward, and invent a new style of out-houses. Invent a salt that will save you, and defend our nostrils.
    Henry David Thoreau (1817–1862)

    The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?
    Dame Ethel Smyth (1858–1944)