Influence
Wright's style fused jazz, neoclassical and experimental music influences, which complemented the simple harmonic structures of the more blues and folk-based songs of Roger Waters and David Gilmour. As a keyboardist, he was more interested in complementing each piece with organ or synthesizer layers and tasteful piano or electric piano passages. Unlike his contemporaries Rick Wakeman, Tony Banks or Keith Emerson, he opted for solo playing only occasionally, notably in "Atom Heart Mother", "Echoes", "Any Colour You Like", "Shine On You Crazy Diamond" Parts 1–5 and 6–9, "Welcome to the Machine", "Dogs", "Run Like Hell" and "Keep Talking". Wright was known for his ghostly, atmospheric textures such as the Leslie piano arpeggios at the beginning of "Echoes", the echoed Farfisa Organ in the live versions of "Careful with That Axe, Eugene" and "Set the Controls for the Heart of the Sun", the distinctive Minimoog solo in "Shine On You Crazy Diamond" and the Wurlitzer passages in "Money", "Time" and the Fender Rhodes riffs in "Sheep". In "A Saucerful of Secrets" and "Sysyphus" he experimented with 'treated piano'. "Sysyphus" also made extensive use of Mellotron sounds, something of a rarity in the Pink Floyd canon. Wright also used modal scales in "Set the Controls for the Heart of the Sun" and "Matilda Mother".
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Famous quotes containing the word influence:
“Just what is the civil law? What neither influence can affect, nor power break, nor money corrupt: were it to be suppressed or even merely ignored or inadequately observed, no one would feel safe about anything, whether his own possessions, the inheritance he expects from his father, or the bequests he makes to his children.”
—Marcus Tullius Cicero (106–43 B.C.)
“For character too is a process and an unfolding ... among our valued friends is there not someone or other who is a little too self confident and disdainful; whose distinguished mind is a little spotted with commonness; who is a little pinched here and protruberent there with native prejudices; or whose better energies are liable to lapse down the wrong channel under the influence of transient solicitations?”
—George Eliot [Mary Ann (or Marian)
“The woman who can’t influence her husband to vote the way she wants ought to be ashamed of herself.”
—E.M. (Edward Morgan)