Influence
Wright's style fused jazz, neoclassical and experimental music influences, which complemented the simple harmonic structures of the more blues and folk-based songs of Roger Waters and David Gilmour. As a keyboardist, he was more interested in complementing each piece with organ or synthesizer layers and tasteful piano or electric piano passages. Unlike his contemporaries Rick Wakeman, Tony Banks or Keith Emerson, he opted for solo playing only occasionally, notably in "Atom Heart Mother", "Echoes", "Any Colour You Like", "Shine On You Crazy Diamond" Parts 1–5 and 6–9, "Welcome to the Machine", "Dogs", "Run Like Hell" and "Keep Talking". Wright was known for his ghostly, atmospheric textures such as the Leslie piano arpeggios at the beginning of "Echoes", the echoed Farfisa Organ in the live versions of "Careful with That Axe, Eugene" and "Set the Controls for the Heart of the Sun", the distinctive Minimoog solo in "Shine On You Crazy Diamond" and the Wurlitzer passages in "Money", "Time" and the Fender Rhodes riffs in "Sheep". In "A Saucerful of Secrets" and "Sysyphus" he experimented with 'treated piano'. "Sysyphus" also made extensive use of Mellotron sounds, something of a rarity in the Pink Floyd canon. Wright also used modal scales in "Set the Controls for the Heart of the Sun" and "Matilda Mother".
Read more about this topic: Richard Wright (musician)
Famous quotes containing the word influence:
“Books, the oldest and the best, stand naturally and rightfully on the shelves of every cottage. They have no cause of their own to plead, but while they enlighten and sustain the reader his common sense will not refuse them. Their authors are a natural and irresistible aristocracy in every society, and, more than kings or emperors, exert an influence on mankind.”
—Henry David Thoreau (1817–1862)
“Perhaps I stand now on the eve of a new life, shall watch the sun rise and disappear behind a black cloud extending out into a grey sky cover. I shall not be deceived by its glory. If it is to be so, there is work and the influence that work brings, but not happiness. Am I strong enough to face that?”
—Beatrice Potter Webb (1858–1943)
“... even I am growing accustomed to slavery; so much so that I cease to think of its accursed influence and calmly eat from the hands of the bondman without being mindful that he is such. O, Slavery, hateful thing that thou art thus to blunt the keen edge of conscience!”
—Susan B. Anthony (1820–1907)