Richard Pryor - Career - Mainstream Success

Mainstream Success

In 1969, Pryor moved to Berkeley, California, where he immersed himself in the counterculture and rubbed elbows with the likes of Huey P. Newton and Ishmael Reed. He signed with the comedy-oriented independent record label Laff Records in 1970, and in 1971 recorded his second album, Craps (After Hours). In 1973, the relatively unknown comedian appeared in the documentary Wattstax, where he riffed on the tragic-comic absurdities of race relations in Watts and the nation. Not long afterward, Pryor sought a deal with a larger label, and after some time, signed with Stax Records. His third, breakthrough album, That Nigger's Crazy, was released in 1974 and, Laff, who claimed ownership of Pryor's recording rights, almost succeeded in getting an injunction to prevent the album from being sold. Negotiations led to Pryor's release from his Laff contract. In return for this concession, Laff was enabled to release previously unissued material, recorded between 1968 and 1973, at will.

During the legal battle, Stax briefly closed its doors. At this time, Pryor returned to Reprise/Warner Bros. Records, which re-released That Nigger's Crazy, immediately after ...Is It Something I Said?, his first album with his new label. With every successful album Pryor recorded for Warner (or later, his concert films and his 1980 freebasing accident), Laff would quickly publish an album of older material to capitalize on Pryor's growing fame—a practice they continued until 1983. The covers of Laff albums tied in thematically with Pryor movies, such as The Wizard of Comedy for his appearance in The Wiz, Are You Serious? for Silver Streak, and Insane for Stir Crazy.

In the 1970s, Pryor wrote for such television shows as Sanford and Son, The Flip Wilson Show and a Lily Tomlin special, for which he shared an Emmy Award. During this period, Pryor tried to break into mainstream television. He was a guest host on the first season of Saturday Night Live and was the first black person to host the show. Pryor took longtime girlfriend, actress-talk show host Kathrine McKee (sister of Lonette McKee) with him to New York, and she made a brief guest appearance with Pryor on SNL. He participated in the "word association" skit with Chevy Chase.

The Richard Pryor Show premiered on NBC in 1977, but was canceled after only four episodes. Television audiences did not respond to the show's controversial subject matter, and Pryor was unwilling to alter his material for network censors. During the short-lived series, he portrayed the first African-American President of the United States, spoofed the Star Wars cantina, took on gun violence, and in another skit, used costumes and visual distortion to appear nude.

In 1974, Pryor was arrested for income tax evasion and served 10 days in jail. He married actress Deborah McGuire in 1977, but they divorced in 1978. He soon began dating Jennifer Lee and they married in 1981. They divorced the following year.

In 1979, at the height of his success, Pryor visited Africa. Upon returning to the United States, Pryor swore he would never use the word "nigger" in his stand-up comedy routine again. (However, his favorite epithet, "motherfucker", remains a term of endearment on his official website.)

In the 1970s and 1980s, Pryor appeared in several popular films, including Lady Sings the Blues; The Mack; Uptown Saturday Night; Silver Streak; Which Way Is Up?; Car Wash; Bingo Long Traveling All-Stars & Motor Kings; Greased Lightning; Blue Collar & Bustin' Loose. In 1982, Pryor co-starred with Jackie Gleason in The Toy.

In 1983, Pryor signed a five-year contract with Columbia Pictures for $40,000,000. This resulted in the mainstreaming of Pryor's onscreen persona and softer, more formulaic films like Superman III, (which earned Pryor $4,000,000), Brewster's Millions, Stir Crazy, Moving, and See No Evil, Hear No Evil. The only film project from this period that recalled his rough roots was Pryor's semi-autobiographic debut as a writer-director, Jo Jo Dancer, Your Life Is Calling, which was not a major success. Though he made four films with Gene Wilder, the two comic actors were never as close as many thought, according to Wilder's autobiography.

Pryor co-wrote Blazing Saddles, directed by Mel Brooks and starring Gene Wilder. Pryor was to play the lead role of Bart, but the film's production studio would not insure him, and Mel Brooks chose Cleavon Little instead. Before his infamous 1980 freebasing accident, Pryor was about to start filming Mel Brooks' History of the World, Part I, but was replaced at the last minute by Gregory Hines. Pryor was also originally considered for the role of Billy Ray Valentine on Trading Places, before Eddie Murphy won the part.

Despite a reputation for constantly using profanity on and off camera, Pryor briefly hosted a children's show on CBS in 1984 called Pryor's Place. Like Sesame Street, Pryor's Place featured a cast of puppets, hanging out and having fun in a surprisingly friendly inner-city environment along with several children and characters portrayed by Pryor himself. However, Pryor's Place frequently dealt with more sobering issues than Sesame Street. It was canceled shortly after its debut, despite the efforts of famed puppeteers Sid and Marty Krofft and a theme song by Ray Parker, Jr. of Ghostbusters fame.

Pryor co-hosted the Academy Awards twice, and was nominated for an Emmy for a guest role on the television series, Chicago Hope. Network censors had warned Pryor about his profanity for the Academy Awards, and after a slip early in the program, a 5-second delay was instituted when returning from a commercial break. Pryor is also one of only three Saturday Night Live hosts to be subjected to a rare 5-second delay for his 1975 appearance (along with Sam Kinison in 1986 and Andrew Dice Clay in 1990).

Pryor developed a reputation for being demanding and disrespectful on film sets, and for making selfish and difficult demands. In his autobiography Kiss Me Like a Stranger, co-star Gene Wilder says that Pryor was frequently late to the set during filming of Stir Crazy, and that he demanded, among other things, a helicopter to fly him to and from set because he was the star. Pryor was also accused of using allegations of on-set racism to force the hand of film producers into giving him more money. Also from Wilder's book:

In 1989, he appeared in Harlem Nights, a comedy-drama crime film starring Eddie Murphy. It was a financial success, grossing three times the amount it cost to make it (worldwide) and is well known for starring three generations of black comedians (Pryor, Eddie Murphy, and Redd Foxx).