Personal Life
Carte was married twice. His first wife was Blanche Julia Prowse (1853–1885), the daughter of William Prowse, a piano manufacturer, music publisher and booking agent. As a teenager, she had participated in amateur theatricals with Carte. They married in 1870 and had two sons, Lucas (1872–1907) and Rupert. Blanche died in 1885, and in 1888, Carte married his assistant, Helen. Their wedding took place in the Savoy Chapel, with Arthur Sullivan as the best man. Rupert received training in an accounting firm and then became his father's assistant in 1894. Lucas, who was not involved in the family businesses, became a barrister. He was appointed Private Secretary to Lord Chief Justice Charles Russell in 1899 in connection with the Venezuelan boundary arbitration in Paris. There he contracted tuberculosis and later died of that disease at the age of 34.
Carte's London house was at the Adelphi, not far from the Savoy. Passionate about the visual arts as well as the performing arts, Carte invited his friend, the artist James McNeill Whistler, to decorate the house. Whistler had the entire billiard room painted the colour of the billiard cloth, and elsewhere painted his favourite yellow with his own hand. Equally enthusiastic for technological innovation, Carte installed a lift, the first in a private house in England. Around 1890, he bought a small island in the River Thames, between Weybridge and Shepperton, called Folly Eyot, which he renamed D'Oyly Carte Island. He wanted to use the island as an annex to his new Savoy Hotel, but the local authorities refused to grant him a drinks licence for the property. Instead, he built Eyot House, a large house and garden on the island, that he used as a residence. In later years, Carte displayed his macabre sense of humour by keeping a crocodile on the island.
Read more about this topic: Richard D'Oyly Carte
Famous quotes containing the words personal life, personal and/or life:
“A man lives not only his personal life, as an individual, but also, consciously or unconsciously, the life of his epoch and his contemporaries.”
—Thomas Mann (1875–1955)
“It has no share in the leadership of thought: it does not even reflect its current. It does not create beauty: it apes fashion. It does not produce personal skill: our actors and actresses, with the exception of a few persons with natural gifts and graces, mostly miscultivated or half-cultivated, are simply the middle-class section of the residuum.”
—George Bernard Shaw (1856–1950)
“Thus when I come to shape here at this table between my hands the story of my life and set it before you as a complete thing, I have to recall things gone far, gone deep, sunk into this life or that and become part of it; dreams, too, things surrounding me, and the inmates, those old half-articulate ghosts who keep up their hauntings by day and night ... shadows of people one might have been; unborn selves.”
—Virginia Woolf (1882–1941)