Books
- Dawkins, R. (1976). The Selfish Gene. Oxford: Oxford University Press. ISBN 0-19-286092-5.
- Dawkins, R. (1982). The Extended Phenotype. Oxford: Oxford University Press. ISBN 0-19-288051-9.
- Dawkins, R. (1986). The Blind Watchmaker. New York: W. W. Norton & Company. ISBN 0-393-31570-3.
- Dawkins, R. (1995). River Out of Eden. New York: Basic Books. ISBN 0-465-06990-8.
- Dawkins, R. (1996). Climbing Mount Improbable. New York: W. W. Norton & Company. ISBN 0-393-31682-3.
- Dawkins, R. (1998). Unweaving the Rainbow. Boston: Houghton Mifflin. ISBN 0-618-05673-4.
- Dawkins, R. (2003). A Devil's Chaplain. Boston: Houghton Mifflin. ISBN 0-618-33540-4.
- Dawkins, R. (2004). The Ancestor's Tale. Boston: Houghton Mifflin. ISBN 0-618-00583-8.
- Dawkins, R. (2006). The God Delusion. New York: Bantam Books. ISBN 0-618-68000-4.
- Various (2008). Richard Dawkins, ed. The Oxford Book of Modern Science Writing. Oxford: Oxford University Press. ISBN 0-19-921680-0.
- Dawkins, R. (2009). The Greatest Show on Earth: The Evidence for Evolution. Free Press (United States), Transworld (United Kingdom and Commonwealth). ISBN 0-593-06173-X.
- Dawkins, R. (2011). The Magic of Reality: How We Know What's Really True. Free Press (United States), Bantam Press (United Kingdom). ISBN 1-4391-9281-2. OCLC 709673132.
- Dawkins, R. (2013). An Appetite for Wonder: The Making of a Scientist. Bantam Press (United States and United Kingdom). ISBN 0593070895. (not yet released)
Read more about this topic: Richard Dawkins Bibliography
Famous quotes containing the word books:
“A book should long for pen, ink, and writing-table: but usually it is pen, ink, and writing-table that long for a book. That is why books are so negligible nowadays.”
—Friedrich Nietzsche (18441900)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernisms high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)