Richard Crooks - Recordings

Recordings

Aside from an unreleased disc for Columbia, Crooks recorded primarily for the Victor Talking Machine Company, which was renamed RCA Victor in 1929. His first recordings date from the mid-1920s and were devoted mainly to operetta, especially ensemble medley recordings by the "Victor Light Opera Company." Among these early electric recordings was a medley of The Student Prince by Sigmund Romberg, in which Crooks and Lambert Murphy alternated on the "Serenade." Most of Crooks's early Victor recordings appeared on the popular music black label. Crooks also made some recordings for Victor's German subsidiary, Electrola, in Germany during the late 1920s.

By the late 1920s, when Crooks's operatic recordings were released, he was promoted to the prestigious "Red Seal." Crooks often said that his personal favorite was a 1928 recording of two arias by Richard Wagner: "In fernem Land" from Lohengrin and the "Prize Song" from Die Meistersinger von Nürnberg. Crooks recorded a complete version of Schubert's Die schöne Müllerin in c.1934 (one of the early attempts to do so) with his teacher Frank LaForge at the piano, of which only numbers 1-3, 7-8, and 13-19 of the 20 songs were issued, and that not until 1941: the complete recording with the missing titles was issued on CD in 1997. Crooks also enjoyed making an album of Stephen Foster songs, which used authentic arrangements to recapture a vanished era of American music. In early 1942, he released a recording of César Franck's "Panis Angelicus" in the original Latin; the recording has been included in Nimbus Records' Prima Voce Christmas compilation The Spirit of Christmas Past. Among his last commercial recordings, made in January 1945, was a patriotic song called The Americans Come, which he had actually recorded as a teenager for Columbia.

The Metropolitan Opera has issued a number of recorded performances featuring Crooks on LP and CD. One of his most memorable radio broadcasts was a 1940 Met performance of Gounod's Faust with Crooks in the title role; Helen Jepson sang Marguerite and Ezio Pinza sang Méphistophélès. Naxos Records issued the performance on CD, conducted by Wilfrid Pelletier, as taken from the original NBC master transcriptions.

His final, private recordings were made in 1967 and 1968. The recordings of Jesu, Joy of Man's Desiring (J. S. Bach) and For You With Love (Elinor Remick Warren) were made at a wedding in Southern California on April 8, 1967. The notes for the Delos CD erroneously state that these were Richard Crooks last recordings. Actually, on November 15, 1968, Crooks sang in a performance with the Portola Valley United Presbyterian Church Choir at the Sequoias in Redwood City. On the recording, he sings "Panis Angelicus" (in English) and Seek Ye The Lord. About the same time, RCA Victrola released an LP highlighting some of Crooks's operatic arias from the 1920s and 1930s. In 1969, RCA released a recording of Stainer’s The Crucifixion, recorded in 1929, which featured Lawrence Tibbett, the Trinity Choir, and Mark Andrews at the organ, along with Crooks; this recording was distributed in the RCA Victrola "Immortal Performances" series (VIC-1403).

Delos has released a two-CD set of vintage Crooks recordings, produced in cooperation with the Stanford Archives of Recorded Sound, including some performances that were never issued commercially. They also included the 1967 recordings. There have been additional CDs released by ASV and Jewel, which show the great diversity of Crooks's recordings, including selections from operettas and popular songs.