Career
Chamberlain co-founded a Los Angeles-based theatre group, Company of Angels, and began appearing in TV series in the 1950s. In 1961 he gained widespread fame as the young intern, Dr. Kildare, in the MGM television series of the same name. His singing ability also led to some hit singles in the early 1960s. One of them was the "Theme from Dr. Kildare" entitled "Three Stars Will Shine Tonight", which hit number 10 according to the Billboard Hot 100 Charts. Dr. Kildare ended in 1966, after which Chamberlain began performing on the theatre circuit. In 1966, he was cast opposite Mary Tyler Moore in the ill-fated Broadway musical Breakfast at Tiffany's, co-starring Priscilla Lopez, which, after an out-of-town tryout period, closed after only four previews. Decades later he returned to Broadway in revivals of My Fair Lady and The Sound of Music.
At the end of the 1960s he spent a period in England where he played in repertory theatre and in the BBC's Portrait of a Lady adaptation, becoming recognized as a serious actor. In 1969 he starred opposite Katharine Hepburn in the film The Madwoman of Chaillot. While in England he took vocal coaching and in 1969 performed the title role in Hamlet for the Birmingham Repertory Theatre, becoming the first American to play the role there since John Barrymore in 1929. He received excellent notices and reprised the role for television, for The Hallmark Hall of Fame, in 1970.
In the 1970s, Chamberlain enjoyed success as a leading man in films such as The Music Lovers (1970), Lady Caroline Lamb (playing Lord Byron, 1973), The Three Musketeers (1973), The Lady's Not for Burning (1974), The Towering Inferno (in a villainous turn as a dishonest engineer, 1974), The Last Wave (1977), and The Count of Monte Cristo (1975). In The Slipper and the Rose (1976), a musical version of the Cinderella story, co-starring Gemma Craven, he displayed his vocal talents. A TV movie, William Bast's The Man in the Iron Mask (1977), followed.
Chamberlain later appeared in several popular television miniseries (earning him a nickname of "King of the Miniseries"), including Centennial (1978-79), ShÅgun (1980), and The Thorn Birds (1983) as Father Ralph de Bricassart with Rachel Ward co-starring. In the 1980s he appeared as leading man with King Solomon's Mines (1985) opposite newcomer Sharon Stone, and also played Jason Bourne in the television film version of The Bourne Identity (1988).
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Famous quotes containing the word career:
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
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“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)