Rhythmic Mode

Rhythmic Mode

In medieval music, the rhythmic modes were set patterns of long and short durations (or rhythms). The value of each note is not determined by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a "ligature", and by the position of the ligature relative to other ligatures. Modal notation was developed by the composers of the Notre Dame school from 1170 to 1250, replacing the even and unmeasured rhythm of early polyphony and plainchant with patterns based on the metric feet of classical poetry, and was the first step towards the development of modern mensural notation (Hoppin 1978, 221). The rhythmic modes of Notre Dame Polyphony were the first coherent system of rhythmic notation developed in Western music since antiquity.

Read more about Rhythmic Mode:  History, Notation, References and Further Reading

Famous quotes containing the words rhythmic and/or mode:

    O birds, your perfect virtues bring,
    Your song, your forms, your rhythmic flight,
    Your manners for your heart’s delight,
    Nestle in hedge, or barn, or roof,
    Here weave your chamber weather-proof,
    Forgive our harms, and condescend
    To man, as to a lubber friend,
    And, generous, teach his awkward race
    Courage, and probity, and grace!
    Ralph Waldo Emerson (1803–1882)

    That the mere matter of a poem, for instance—its subject, its given incidents or situation; that the mere matter of a picture—the actual circumstances of an event, the actual topography of a landscape—should be nothing without the form, the spirit of the handling, that this form, this mode of handling, should become an end in itself, should penetrate every part of the matter;Mthis is what all art constantly strives after, and achieves in different degrees.
    Walter Pater (1839–1894)