Career
Fleming began working as a film actress while attending Beverly Hills High School, from which she was graduated in 1941. After appearing uncredited in a several films, she received her first substantial role in the thriller Spellbound (1945), produced by David O. Selznick and directed by Alfred Hitchcock. She followed this with supporting roles in another thriller, The Spiral Staircase (1946), directed by Robert Siodmak, the Randolph Scott western Abilene Town (1946), and the film noir classic Out of the Past (1947) with Robert Mitchum. Her first leading role came in Adventure Island (1947), a low-budget action film made in the two-color Cinecolor process and co-starring Rory Calhoun.
The actress then co-starred with Bing Crosby in her first Technicolor film, A Connecticut Yankee in King Arthur's Court (1949), a musical loosely based on the story by Mark Twain. Fleming exhibited her singing ability, dueting with Crosby on “Once and For Always” and soloing with “When Is Sometime.” She and Crosby recorded these songs for a 78 rpm Decca soundtrack album. She also sang on NBC's Colgate Comedy Hour during the same live telecast that featured Errol Flynn, on September 30, 1951, from the El Capitan Theater in Hollywood.
In 1953, Fleming portrayed Cleopatra in Serpent of the Nile. That same year she appeared in two films shot in 3-D, Inferno with Robert Ryan and the musical Those Redheads From Seattle with Gene Barry. The following year she starred with Fernando Lamas in Jivaro, her third 3-D release.
Among Fleming’s subsequent cinematic credits are Fritz Lang’s While the City Sleeps (1956), co-starring Dana Andrews; Allan Dwan’s Slightly Scarlet, co-starring John Payne and Arlene Dahl; John Sturges’s Gunfight at the O.K. Corral (1957) co-starring Burt Lancaster and Kirk Douglas and the Irwin Allen / Joseph M. Newman production of The Big Circus (1959), co-starring Victor Mature and Vincent Price. Her most recent film was Waiting for the Wind (1990).
During the 1950s and into the 1960s, Fleming frequently appeared on television with guest-starring roles on The Red Skelton Show, The Best of Broadway, The Investigators, Shower of Stars, The Dick Powell Show, Death Valley Days, Wagon Train, Burke's Law, The Virginian, McMillan & Wife, Police Woman, Kung Fu, Ellery Queen, and The Love Boat. On March 4, 1962, Fleming appeared in one of the last segments of ABC's Follow the Sun in a role opposite Gary Lockwood, who was nearly 14 years her junior. She played a Marine in the episode "Marine of the Month".
In 1958, Fleming again displayed her singing talent when she recorded her only LP, entitled simply Rhonda. In this album, she blended then current songs like "Around The World" with standards such as "Love Me Or Leave Me" and "I've Got You Under My Skin".
In retirement, Fleming has worked for several charities, especially in the field of cancer care, and has served on the committees of many related organizations. In 1991, she and her late husband, Ted Mann, set up the Rhonda Fleming Mann Clinic For Women's Comprehensive Care at the UCLA Medical Center.
Fleming has a star on the Hollywood Walk of Fame. In 2007, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to her.
Read more about this topic: Rhonda Fleming
Famous quotes containing the word career:
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (1762–1835)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (1817–1862)