Writing Music and Songs For Movies
Rey was film scoring movies during his singing career, but after the trouble his impostor has caused, Rey focused on his musical directing career. He particularly liked scoring music for action films, giving fight scenes and chase sequences fast paced, rock-themed music, which reflects his roots as a rock band member.
Rey's songs made marks also as theme songs and movie titles. These includes several Sharon Cuneta movies such as Maging Sino Ka Man, Pangako sa 'Yo, Kahit Wala Ka Na', Tayong Dalawa; Vilma Santos’ Sinasamba Kita, Romansa, Hiwalay; Robin Padilla’s Carnap King, Barumbado, and Baby Ama; Romnick Sarmenta’s Pasong Tirad, The Gregorio del Pilar Story, Aleck Bovick's Tampisaw and most of her earliest films.
There are very few people are aware that Rey wrote music for movies, even fewer are aware that he also wrote music for R-18 "Bold" films. He accepted making music for movies and considered it an opportunity, as these projects usually pitted his songwriting skills to follow fresh and often unusual themes and topics, often deviating from pop love songs which he was usually typecast into.
The theme song "Ambon" (Raindrop) from the film Tampisaw emphasizes on the singer's hunger and deprivation of love, and that a single "raindrop" of love would be enough for her to live on.
The theme song "Nagpapanggap" (Pretending/Deceiving) from the film Kerida (The Mistress) depicts a person's awareness that her lover is only pretending to love her, and yet she has this pragmatic acceptance and is even thankful that she was loved, no matter how false that love may be.
The theme song "Sa Gitna ng Buhay Ko" (In The Middle of My Life) from the film Naglalayag (Silent Passage) follows the movie's theme of a middle-aged woman falling in love with a man half her age. The song relates to her life as the times of the day, asking questions such as, "why did love arrive at only NOON?"
Read more about this topic: Rey Valera
Famous quotes containing the words writing, music, songs and/or movies:
“Nine-tenths of the value of a sense of humor in writing is not in the things it makes one write but in the things it keeps one from writing. It is especially valuable in this respect in serious writing, and no one without a sense of humor should ever write seriously. For without knowing what is funny, one is constantly in danger of being funny without knowing it.”
—Robert Benchley (1889–1945)
“For I have learned
To look on nature, not as in the hour
Of thoughtless youth, but hearing oftentimes
The still, sad music of humanity.”
—William Wordsworth (1770–1850)
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?”
—Julius K. Nyerere (b. 1922)
“... in the movies Paris is designed as a backdrop for only three things—love, fashion shows, and revolution.”
—Jeanine Basinger (b. 1936)