History
Although the ability to reverse the playback of recorded sounds had been known since the early days of gramophone records and can be achieved by simply placing the needle on the record and spinning it counter-clockwise, reverse effects were regarded largely as a curiosity and were little used until the 1950s. In the 1950s, the development of the experimental music genre known as musique concrète and a simultaneous spread of the use of tape recorders in recording studios led to tape music compositions, in which music was composed on tape using techniques including reverse tape effects.
The reverse tape technique became especially popular during the psychedelic music era of the mid-to-late 1960s, when musicians and producers exploited a vast range of special audio effects.
Read more about this topic: Reverse Tape Effects
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—Boris Pasternak (1890–1960)
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—Aldous Huxley (1894–1963)
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—Thomas Henry Huxley (1825–95)