Revenge in The Arts
Revenge is a popular subject in literature, drama, and other arts. Notable examples include the plays Hamlet and Othello by William Shakespeare, the novel The Count of Monte Cristo by Alexandre Dumas, and the short story "The Cask of Amontillado" by Edgar Allan Poe. Other examples are the Greek myths of Medea, the painting Herodias' Revenge by Juan de Flandes, the opera Don Giovanni by Wolfgang Amadeus Mozart, and the novel The Princess Bride by William Goldman. In Japanese art, revenge is a theme in various woodblock prints depicting the Revenge of the Forty-Seven Ronin by many well-known and influential artists, including Kuniyoshi. The Chinese playwright Ji Junxiang used revenge as the central theme his theatrical work The Orphan of Zhao; it depicts more specifically familial revenge, which is placed in the context of Confucian morality and social hierarchal structure.
Some modern societies use tales of revenge to provide catharsis, or to condition their members against acting out of desire for retribution. In many of these works, tragedy is compounded when the person seeking revenge realizes he/she has become what he/she wished to destroy. However, in others, the consummation is depicted as satisfying and cathartic.
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Famous quotes containing the words revenge and/or arts:
“The wind,
Tempestuous clarion, with heavy cry,
Came bluntly thundering, more terrible
Than the revenge of music on bassoons.”
—Wallace Stevens (1879–1955)
“No doubt, to a man of sense, travel offers advantages. As many languages as he has, as many friends, as many arts and trades, so many times is he a man. A foreign country is a point of comparison, wherefrom to judge his own.”
—Ralph Waldo Emerson (1803–1882)