Reception
While some reviews noted flaws in characterisation and heavy expository dialogue, a common theme echoed by many reviewers centered on the sharp descriptive writing, mood, and large-scale ideas featured in the book.
Thomas M. Wagner of SF Reviews wrote that "images and bits and pieces of the novel simply would not get out of my head. This is saying something, since, with the volume of SF and fantasy I read, I do not exactly retain an eidetic memory of everything I've read that I can call up in a second or two unless the book literally bowled me over. But in the case of Revelation Space, two and three years later I still could remember the opening scene in the archaeological dig on the lonely planet of Resurgam with remarkable clarity. The dark, eerie corridors of the vast starship Nostalgia for Infinity still brought haunting images to mind."
A Dragonsworn review notes "there's plenty of beautifully scripted action sequences, and gorgeous descriptions—especially where the Nostalgia for Infinity is concerned. Reynolds paints a vivid picture of a haunting machine in decline, and a crew that may as well be ghosts."
In a Blogcritics review, Nick Barrett describes Revelation Space as "black, bleak, extremely well written, with an undercurrent of menace and increasing danger, and it's a thriller to keep you turning the pages until you lose sleep."
Read more about this topic: Revelation Space
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)