Resident Evil Outbreak File 2 - Plot

Plot

File #2 is a continuation of the events that occur in the original Outbreak, though the exact order of the scenarios is left ambiguous. Though there is no concrete "start" to the game, it ends with the execution of Mission Code: XX in which the government effectively nukes all of Raccoon City to eradicate the threat posed by the T-Virus.

The first scenario listed is "Wild Things," in which Cindy Lennox leads the rest of the survivors to the Raccoon City Zoo in hopes of reaching a rescue helicopter on the other side of the zoo. Throughout the scenario, players are pursued by an array of animals infected by the virus, the most dangerous being the mutated elephant Oscar, who follows the players from area to area until he is either locked in the Elephant Stage or killed by the players. Should they reach the Front Plaza without killing him or locking him away, he will appear as the final boss; otherwise, the Lioness will be the boss. Once the players reach the end of the stage and board the tram, the tram stops and the rescue helicopter is shown on fire in the distance, with the pilot dying of his injuries outside of the burning helicopter.

The second scenario, "Underbelly," follows the players' journey into the city's subway station, where they must find two plates to activate the subway train and escape. Before they can leave, however, another moving train runs into a pile of debris and explodes, awakening the "Gigabite" who the players later fight at the end of the stage. To initiate this fight, one of the players is kidnapped by the Gigabite while waiting for their train to depart. After defeating the boss, if the players do not make it back to the train in time, they must find an alternate way out through the Substation Tower.

In the third scenario, "Flashback," Alyssa Ashcroft leads the survivors to a cabin in the woods where they are met by Albert Lester (Also know as AI), who promises to lead them to a neighboring town. He mysteriously disappears once the players reach a bridge leading to an abandoned hospital. When the players investigate, a masked axe-wielding man chases them throughout the scenario. Players must kill sections of a giant plant which has overtaken the hospital building by injecting it with a serum-filled syringe. The final boss is the core of the plant, which is later found out to be controlled by an infected Dorothy, Al's wife, who was experimented on in the hospital. Al is shown in the ending to have been leading people to the hospital to kill them in order to feed his wife in her plant form. If the player plays through the level as Alyssa, they will experience several flashbacks at different points in the scenario, as Alyssa and a friend who died at the hands of a zombified Dorothy once investigated the hospital's ethics years ago.

"Desperate Times," the fourth scenario, finds the players in the Raccoon City Police Department defending themselves from zombies which have crowded outside of the station. By finding several plates, the players open a secret passage for one of the cops, Rita, to navigate and find help. Before she can return, the zombies break through the gates of the police department and the players must defeat a certain amount (depending on which difficulty they chose) of them before completing the scenario. The players are forced to leave policeman Marvin behind as they drive away, while he locks himself in the room in which Leon or Claire find him in Resident Evil 2.

In the final scenario, "End of the Road," David King leads the survivors to an Umbrella laboratory, where they are met by two scientists, Linda and Carter, who have returned to get the cure. Before they can leave, an alarm sounds and a shutter closes the exit, which the scientists are unable to open. The lab is infested with hunters, which Carter fends off by awakening the Tyrant to fight for him. As the group is about to exit, however, the Tyrant turns on the players, killing Carter and throwing Linda from a ledge. The Tyrant then follows the players for the rest of the scenario. The players enter the sewers below the lab, where they find Linda alive. Depending if the player as whether or not killed the tyrant, they are either washed away in the sewers with Linda or left behind to reach the upper levels themselves. Regardless, the players encounter a mutated Tyrant on the city streets. Players are given the chance to rescue Linda, who is shot by a sniper (who also shoots at the players), and must be carried by the player to the end of the stage. They can choose to escape by truck, but must fight Nyx, the final boss, before doing so, or by helicopter, without fighting a final boss.

Also in the final scenario, there are four different endings. Up and Away with Linda' is obtained by escaping the city by helicopter with Linda in possession, Up and Away is obtained by escaping the city by helicopter, but letting Linda die on the way or not finding her, Run Like the Linda is obtained by escaping the city by truck with Lynda in possession, and Run Like the Wind is obtained by escaping the city by truck, but letting Linda dye on the way or not finding her. Obtaining the first or the third ending grants the player the Good ending and epilogue for the character chosen, and obtaining the second or the forth ending will grant the player the Bad ending.

Read more about this topic:  Resident Evil Outbreak File 2

Famous quotes containing the word plot:

    Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.
    Jane Rule (b. 1931)

    But, when to Sin our byast Nature leans,
    The careful Devil is still at hand with means;
    And providently Pimps for ill desires:
    The Good Old Cause, reviv’d, a Plot requires,
    Plots, true or false, are necessary things,
    To raise up Common-wealths and ruine Kings.
    John Dryden (1631–1700)

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)