Plot
The story opens with Bill Nyberg(an Umbrella employ) wandering over a recent case where a little girl was treated by a new Umbrella medicine called Valifin which was still in trial phases, and had suffered from renal failure as an unexpected side effect. While ruffling through his files he is unaware of the dangers present in the Raccoon Forest. On other side the Ecliptic Express is attacked by hordes of leeches. killing all of the trains occupants, including Nyberg.
Hours later Raccoon City S.T.A.R.S Bravo team begin their search for those responsible for the murders which have been plaguing the city. For the past few weeks, Raccoon City had been in a state of fear due to cannibalistic homicide. S.T.A.R.S Bravo team was the first team to be sent in to investigate. Among the team is new recruit Rebecca Chambers. Their helicopter is forced to make a landing for unknown reasons and Bravo team becomes stranded in the Arklay Mountains. The Bravos then begin to spread out and search the immediate area. While investigating their surroundings, they come across a wrecked armored transport. Among the carnage, they find records of an escaped prisoner by the name of Billy Coen.
Read more about this topic: Resident Evil: Zero Hour
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)