Reception
| Reception | |
|---|---|
| Aggregate scores | |
| Aggregator | Score |
| Metacritic | 80% (55 reviews) |
| Review scores | |
| Publication | Score |
| 1UP.com | A- |
IGN gave The Darkside Chronicles 8.1 out of 10. Compliments were given to the graphics, music, playability, and longevity of the title, but the camera was said to be mildly distracting and the story can be confusing for those unfamiliar with the Resident Evil franchise. GameSpot gave the game a 6.0 out of 10. They stated "The only thing scary about this light-gun game is the dreadful shaky camera."
The Darkside Chronicles placed at number 151 on NPD Group's year-end 2009 sales ranking. In Japan, the game began as the third best-selling game in the region at 73,000 units sold. In France, the game sold 16,000 units during its debut.
In November 2009, Capcom was forced to defend the game from the allegations from the Christian Church of the United Kingdom, which said that it glamorizes violence and promotes the occult, with spokesperson Leo Tan stating: "This is scaremongering and typical religious hysteria. You cannot blame society’s ills on video games. It’s just absurd." However, the website totalvideogames.com states that, in an interview with the clergymen in question, that he never commented on the game, and the whole incident was a misunderstanding. TVG.com further goes on to say this was all likely a PR stunt.
Read more about this topic: Resident Evil: The Darkside Chronicles
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)