Reception
Reviewing the episode in the Anderson fan publication Andersonic, Vincent Law identifies "Renegade Rocket" as just one example of a Gerry Anderson production that uses a theme of the dangers of advanced technology, or "runaway machinery". He also notes that the Reeves duplicate effectively pulls rank to launch the rocket, drawing a connection between this episode and perceptions of double agents during the Cold War, and also relating it to the 1964 Kubrick film Dr. Strangelove. He comments negatively, however, on the dialogue and characterisation, questioning, for example, Colonel White's lack of an emotional response on realising that Reeves, supposedly a friend of his, has been killed and reconstructed by the Mysterons. Despite praise of the episode's visuals, he sums up "Renegade Rocket" as "a forerunner of effects-led films like Independence Day and its ilk — flashy, nice to look at but insubstantial and ultimately unfulfilling."
Read more about this topic: Renegade Rocket
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)