Score and Music Sample
Stravinsky developed here the original technique of composition that was almost unknown in the European classical tradition, however was always typical for the folk music. The main features of this are the stubborn repetition of small and simple melodic phrases (called in Russian «попевки» – popevki), played in a syncopated rhythm, with an irregular meter (changing the time signature almost in every bar); the multi-voiced texture is not a real polyphony, but rather a heterophony, that represents monophony or so to say “ragged unison”, where the melody of one instrument is accompanied and embellished with the fragments of the same melody. Here is the most telling example:
Read more about this topic: Renard (Stravinsky)
Famous quotes containing the words score and, score, music and/or sample:
“Whereas, before, our forefathers had no other books but the score and the tally, thou hast caused printing to be used, and, contrary to the King, his crown, and dignity, thou hast built a paper-mill.”
—William Shakespeare (1564–1616)
“Gargantua, at the age of four hundred four score and forty- four years begat his son Pantagruel, from his wife, named Badebec, daughter of the King of the Amaurotes in Utopia, who died in child-birth: because he was marvelously huge and so heavy that he could not come to light without suffocating his mother.”
—François Rabelais (1494–1553)
“Since a man must bring
To music what his mother spanked him for
When he was two ...”
—Gwendolyn Brooks (b. 1917)
“All that a city will ever allow you is an angle on it—an oblique, indirect sample of what it contains, or what passes through it; a point of view.”
—Peter Conrad (b. 1948)