Theater
| Year | Film | Transliteraion and translation |
|---|---|---|
| 1935 | Yfipourgos | Υφυπουργός |
| 1945 | Blue and White | Μπλε και Ασπρο (Ble ke aspro) |
| 1954 | Blue Roses | Μπλε Τριαντάφυλλα (Ble triandafila) |
| 1959 | Nychtoloulouda | Νυχτολούλουδα |
| 1959 | Edo Athinai | Εδώ Αθήναι, literally Here in Athens |
| 1960 | O Nymfaios erchetai | Ο Νυμφαίος έρχεται |
| 1960 | Ferry Boat | Φέρρυ μπωτ |
| 1960 | Glykia Athina | Γλυκιά Αθήνα (Sweet Athens) |
| 1960 | Roses For Those | Τριαντάφυλλα για σας (Triantafylla gia sas) |
| 1961 | Beethoven and Bouzouki | Μπετόβεν και μπουζούκι (Beethoven kai bouzouki) |
| 1961 | Dolce Vita in Athens | Ντόλτσε βίτα στην Αθήνα (Dolce vita stin Athina) |
| 1966 | Circus in Greece | Τσίρκο η Ελλάς (Tsirko i Ellas) |
| 1968 | Marriage of the Century | Ο γάμος του αιώνος (O gamos tou eonos) |
| 1969 | Edo tha gelasete | Εδώ θα γελάσετε |
| 1978 | Ti Kostakis, ti Antrikos, ta plironti o laoutzikos | Τι Κωστάκης, τι Αντρίκος, τα πληρώνει ο λαουτζίκος (What Kostakis, What Andrikos, For Paying The Lute Player |
Read more about this topic: Rena Dor
Famous quotes containing the word theater:
“The theater is a baffling business, and a shockingly wasteful one when you consider that people who have proven their worth, who have appeared in or been responsible for successful plays, who have given outstanding performances, can still, in the full tide of their energy, be forced, through lack of opportunity, to sit idle season after season, their enthusiasm, their morale, their very talent dwindling to slow gray death. Of finances we will not even speak; it is too sad a tale.”
—Ilka Chase (1905–1978)
“All I can tell you with certainty is that I, for one, have no self, and that I am unwilling or unable to perpetrate upon myself the joke of a self.... What I have instead is a variety of impersonations I can do, and not only of myself—a troupe of players that I have internalised, a permanent company of actors that I can call upon when a self is required.... I am a theater and nothing more than a theater.”
—Philip Roth (b. 1933)
“...I have never known a “movement” in the theater that did not work direct and serious harm. Indeed, I have sometimes felt that the very people associated with various “uplifting” activities in the theater are people who are astoundingly lacking in idealism.”
—Minnie Maddern Fiske (1865–1932)