Religious music (also sacred music) is music performed or composed for religious use or through religious influence.
A lot of music has been composed to complement religion, and many composers have derived inspiration from their own religion. Many forms of traditional music have been adapted to fit religions' purposes or have descended from religious music. There is a long history of Christian Church music. Johann Sebastian Bach, considered one of the most important and influential European classical music composers, wrote most of his music for the Lutheran church. Religious music often changes to fit the times; Contemporary Christian music, for example, uses idioms from various secular popular music styles but with religious lyrics. Gospel music has always done this, for example incorporating funk, and continues to do so.
Monotheism and tonality, all tones relating and resolving to a tonic, are often associated, and the textures of European homophony, equated with monotheism, may be contrasted with Asian heterophony, equated with poly or pantheism. Navajo music's cyclic song and song-group forms mirrors the cyclic nature of their deities such as Changing Woman.
Read more about Religious Music: Christian Music, Jewish Music, Shintō Music, Buddhist Music, Zoroastrian Music
Famous quotes containing the words religious and/or music:
“... these great improvements of modern times are blessings or curses on us, just in the same ratio as the mental, moral, and religious rule over the animal; or the animal propensities of our nature predominate over the intellectual and moral. The spider elaborates poison from the same flower, in which the bee finds materials out of which she manufactures honey.”
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“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
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