Releases and Projects
Between June 2004 and February 2005, the label released a series of six albums by John Frusciante. One album, Automatic Writing, was released under the band name Ataxia (which was composed of John Frusciante, Joe Lally and Josh Klinghoffer). The album A Sphere in the Heart of Silence was released with Josh Klinghoffer. The records each show a different side of Frusciante's musical style, going from crude rock (Inside of Emptiness) to Pop (DC EP) and even electronic music (A Sphere in the Heart of Silence). In 2007, Record Collection released the follow-up to Automatic Writing by Ataxia, named AW II.
In 2007, Record Collection released the Spider-Man 3 soundtrack which featured all new music from artists such as The Flaming Lips, The Killers and The Yeah Yeah Yeahs.
In 2009, Record Collection released John Frusciante's acclaimed album The Empyrean as well as albums from The Cubical and Dawes.
In 2010, Record Collection released the debut single from LA punk outfit Funeral Party and Break Mirrors the debut album from multi-instrumentalist singer songwriter Blake Mills.
In 2011, Record Collection Productions released God Bless Ozzy Osbourne a feature documentary about Ozzy Osbourne.
In 2012, Record Collection released 2 new albums from John Frusciante, an EP called Letur Lefr and an LP called PBX Funicular Intaglio Zone, the debut self titled 7" from Buckaroo and produced season 1 of the 6 episode music documentary series Sound & Vision featuring artists such as Jeff the Brotherhood, Haim and Detroit hip hop group Clear Soul Forces. In April 2013, Sound &Vision, a co-production between Red Bull Media House and Record Collection and directed by Jordan Tappis and Mike Piscitelli, was nominated for a Webby Award under the category best online film & video: music.
In 2013 Record Collection is slated to release new music from Blake Mills, John Frusciante, the Black Knights and more.
Record Collection management clients include Blake Mills, Matt Sweeney, Bonnie 'Prince' Billy & John Frusciante.
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“We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.”
—Bertolt Brecht (1898–1956)
“One of the things that is most striking about the young generation is that they never talk about their own futures, there are no futures for this generation, not any of them and so naturally they never think of them. It is very striking, they do not live in the present they just live, as well as they can, and they do not plan. It is extraordinary that whole populations have no projects for a future, none at all.”
—Gertrude Stein (1874–1946)