Structure
Rebecca's Tale is set in the summer of 1951 in England. The action is centered in Kerrith and the surrounding area, including the district near Manderley. The book is narrated in the first person in the style of du Maurier; however, unlike the original book, the narrator changes with each of the four sections. Part one is told from the perspective of the septuagenarian Colonel Julyan, who had led the initial inquests into Rebecca’s death. Part two is told by Terence Gray, an original character whose ongoing investigations are driven by a mystery from his own past. Part three is an extract from a journal kept by Rebecca, detailing the events of her early life. The final part is told by Ellie Julyan, the Colonel's youngest daughter who cares for her father at home.
The narrative shifts produce a very different structure from the original Rebecca, as well as a more postmodern tone that emphasizes the various narrators' unreliability. Also, the book is sometimes placed in a separate genre: while Rebecca is classified as a Gothic novel (du Maurier detested its categorization as a romance), Rebecca’s Tale is often considered a mystery.
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“Who says that fictions only and false hair
Become a verse? Is there in truth no beauty?
Is all good structure in a winding stair?
May no lines pass, except they do their duty
Not to a true, but painted chair?”
—George Herbert (15931633)
“Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.”
—Paul Tillich (18861965)
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