Rebecca's Tale - Structure

Structure

Rebecca's Tale is set in the summer of 1951 in England. The action is centered in Kerrith and the surrounding area, including the district near Manderley. The book is narrated in the first person in the style of du Maurier; however, unlike the original book, the narrator changes with each of the four sections. Part one is told from the perspective of the septuagenarian Colonel Julyan, who had led the initial inquests into Rebecca’s death. Part two is told by Terence Gray, an original character whose ongoing investigations are driven by a mystery from his own past. Part three is an extract from a journal kept by Rebecca, detailing the events of her early life. The final part is told by Ellie Julyan, the Colonel's youngest daughter who cares for her father at home.

The narrative shifts produce a very different structure from the original Rebecca, as well as a more postmodern tone that emphasizes the various narrators' unreliability. Also, the book is sometimes placed in a separate genre: while Rebecca is classified as a Gothic novel (du Maurier detested its categorization as a romance), Rebecca’s Tale is often considered a mystery.

Read more about this topic:  Rebecca's Tale

Famous quotes containing the word structure:

    A special feature of the structure of our book is the monstrous but perfectly organic part that eavesdropping plays in it.
    Vladimir Nabokov (1899–1977)

    The structure was designed by an old sea captain who believed that the world would end in a flood. He built a home in the traditional shape of the Ark, inverted, with the roof forming the hull of the proposed vessel. The builder expected that the deluge would cause the house to topple and then reverse itself, floating away on its roof until it should land on some new Ararat.
    —For the State of New Jersey, U.S. public relief program (1935-1943)

    Who says that fictions only and false hair
    Become a verse? Is there in truth no beauty?
    Is all good structure in a winding stair?
    May no lines pass, except they do their duty
    Not to a true, but painted chair?
    George Herbert (1593–1633)