Reception
After scenes involving the character fighting with Lyn Scully aired, Darren Rowe of entertainment website Digital Spy praised the scenes and branding it "one of the best episodes of 2009". Also stating: "It is a classic scene and quite simply Neighbours at its absolute best!". Jim Schembri of The Age commented on Rebecca's choice in men after her partner Paul Robinson revealed he killed Gus Cleary, stating that she has a bad history of attraction to violent men.
Ruth Deller of entertainment website Lowculture praised Rebecca's character development stating: "Rebecca was such a badly-written, flaky character when she first arrived in Ramsay Street, but thankfully the scriptwriters soon realised just what an asset actress Jane Hall was to the show and turned her around to become awesome. As someone who can stand up to Paul Robinson (back to his best: being both a bit good and very bad) but yet also care for him, she has been a great addition and the chemistry between both characters has been a real tonic for the show." Jaci Stephen writing for the Daily Mail commented on Paul's obsession with her stating: "You can’t help feeling that nothing short of a stake through the heart is going to keep Paul out of Rebecca’s life."
Read more about this topic: Rebecca Robinson (Neighbours)
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)