Rebecca de Mornay - Career

Career

Her film debut was a small part in Francis Ford Coppola's 1982 film One from the Heart. Soon thereafter came her star-making role as a call girl who seduces a high-school student played by Tom Cruise in Risky Business. In 1985, she appeared with Starship's Mickey Thomas in the music video for the song "Sara". The song reached #1 on the Billboard Hot 100 chart on March 15, 1986.

One of De Mornay's most commercially successful films came in the thriller The Hand That Rocks the Cradle. She also appeared in a 1988 remake of Roger Vadim's provocative And God Created Woman, Ron Howard's Backdraft (1991) and in 1993, starred as a defense lawyer in Sidney Lumet's murder drama Guilty as Sin. The she appeared in the 1995 drama film Never Talk to Strangers opposite Antonio Banderas; in which she was also the executive producer.

In 2003, she guest-starred as primary antagonist in the first two episodes of season 2 of Boomtown. In 2004, she guest-starred as attorney Hannah Rose for the last few episodes of The Practice and the following year, had a brief role alongside Owen Wilson and Vince Vaughn in Wedding Crashers. De Mornay also starred in the 2007 drama American Venus.

In June 2007, she appeared in the HBO series John From Cincinnati with a starring role as matriarch of a troubled Imperial Beach, California surfing family and the grandmother/guardian of a teen surfer on the brink of greatness. She appeared in Darren Lynn Bousman's Mother's Day (2010).

In 2012, De Mornay played the role of Finch's mom in the movie American Reunion where she portrayed an attractive older woman and a love interest of Stifler.

Read more about this topic:  Rebecca De Mornay

Famous quotes containing the word career:

    “Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.
    Lawrence Kutner (20th century)

    I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.
    William Cobbett (1762–1835)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)