Open Air Theatre and Performance
The ruins of Reading Abbey have a history of live performance. From early impromptu artist-led events, the site has established a history of open air theatre.
In the late 1980s, the food art and performance collective 'La Grande Bouche' organised a cabaret under marquee in the ruins. The evening offered music and performance acts combined with food, much of which cooked by contributing performers.
In 1994, a large scale performance event 'From the Ruins' was held in the abbey ruins, the finale event for the 'Art in Reading' (AIR) festival, funded in part by Reading Borough Council. This was organised by and featured a large number of artists and performers living or working in Reading, and combined specially created music, dance, paintings, poetry and culminated in a spectacular evening performance involving large scale puppetry and pyrotechnics loosely based upon the history of Reading Abbey from the foundation by William I through the rise of the merchant classes to the dissolution and eventual sacking of the Abbey under Henry VIII.
In 1995, the ruined South Transept was used as the setting for the first Abbey Ruins Open Air Shakespeare production by MDM Productions and Progress Theatre in partnership with Reading Borough Council. In 1996, the outdoor production moved to the ruined chapter house and since 1999 has been staged by Progress Theatre in partnership with Reading Borough Council. This annual event expanded to the Reading Abbey Ruins Open Air Festival in 2007.
Because of the current access limitations, the 2009 and 2010 Open Air Festivals could not be held.
Read more about this topic: Reading Abbey
Famous quotes containing the words open, air, theatre and/or performance:
“Thank God we’re living in a country where the sky’s the limit, the stores are open late and you can shop in bed thanks to television.”
—Joan Rivers (b. 1935)
“By the roadside a hideous carrion, quivering
On a clean bed of pebbly clay,
Her legs flexed in the air like a courtesan,
Burning and sweating venomously,
Calmly exposed its belly, ironic and wan,
Clamorous with foul ecstasy.”
—Allen Tate (1899–1979)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1858–1924)
“They say all lovers swear more performance than they are able, and yet reserve an ability that they never perform; vowing more than the perfection of ten, and discharging less than the tenth part of one.”
—William Shakespeare (1564–1616)