Kinds of Reader-response Criticism
One can sort reader-response theorists into three groups: those who focus upon the individual reader's experience ("individualists"); those who conduct psychological experiments on a defined set of readers ("experimenters"); and those who assume a fairly uniform response by all readers ("uniformists"). One can therefore draw a distinction between reader-response theorists who see the individual reader driving the whole experience and others who think of literary experience as largely text-driven and uniform (with individual variations that can be ignored). The former theorists, who think the reader controls, derive what is common in a literary experience from shared techniques for reading and interpreting which are, however, individually applied by different readers. The latter, who put the text in control, derive commonalities of response, obviously, from the literary work itself. The most fundamental difference among reader-response critics is probably, then, between those who regard individual differences among readers' responses as important and those who try to get around them.
Read more about this topic: Reader-response Criticism
Famous quotes containing the words kinds of, kinds and/or criticism:
“... metaphysics, even bad metaphysics, really rests on observations, whether consciously or not; and the only reason that this is not universally recognized is that it rests upon kinds of phenomena with which every man’s experience is so saturated that he pays no particular attention to them.”
—Charles Sanders Peirce (1839–1914)
“... metaphysics, even bad metaphysics, really rests on observations, whether consciously or not; and the only reason that this is not universally recognized is that it rests upon kinds of phenomena with which every man’s experience is so saturated that he pays no particular attention to them.”
—Charles Sanders Peirce (1839–1914)
“I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
—Ezra Pound (1885–1972)