Ray Peacock - TV Studio Audience Warm-up

TV Studio Audience Warm-up

Warm-ups include:

  • Russell Howard's Good News Series VI (BBC - 2011)
  • "A Short History Of Everything Else" (C4 - 2012)
  • "Red Dwarf" Series 10 (Dave - 2011-2012)
  • Live From The Electric (BBC - 2011)
  • Frankie Boyle's Rehabilitation Programme (C4 - 2011)
  • Not Going Out Series 5 (BBC - 2011)
  • Russell Howard's Good News Series V (BBC - 2011)
  • That Sunday Night Show - Series 2 (ITV - 2011)
  • "Lee Nelson's Well Good Show" Series 2 (BBC - 2011)
  • Felix and Murdo Pilot (C4 - 2011)
  • Russell Howard's Good News Series IV (BBC - 2011)
  • "Al Murray's Compete For The Meat" (BBC - 2011)
  • That Sunday Night Show (ITV - 2011)
  • Lee Mack's All Star Cast (BBC - 2010-2011)
  • Russell Howard's Good News Series III (BBC - 2010)
  • Not Going Out (BBC - 2010)
  • The Count Arthur Strong Game Show (BBC - 2010)
  • Richard Bacon's Beer & Pizza Club (ITV - 2010)
  • The Stephen K Amos Show (BBC - 2010)
  • The IT Crowd Series IV (C4 - 2010)
  • The Graham Norton Show (BBC - 2010)
  • Russell Howard's Good News Series II (BBC - 2010)
  • Frank Skinner's Opinionated (BBC - 2010)
  • Russell Howard's Good News Series I (BBC - 2009)
  • Miranda (BBC - 2009)
  • Friday Night With Jonathan Ross (BBC - 2009, 2010)
  • The IT Crowd Series III (C4 - 2008)
  • Harry Hill's TV Burp (ITV - 2008)
  • Harry Hill's Soapington Way (ITV - 2007)
  • Not Going Out (BBC - 2007,2008)
  • The Consultants (2007)
  • French & Saunders (BBC - 2007)
  • Deal or No Deal (C4 - 2007, 2008)
  • Bremner, Bird and Fortune (C4 - 2006)
  • Nigella (ITV - 2006)

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Famous quotes containing the words studio and/or audience:

    “The studio people want me to do “Good-bye Charlie” for the movies, but I’m not going to do it. I don’t like the idea of playing a man in a woman’s body—you know? It just doesn’t seem feminine.”
    —Marilyn Monroe (1926–1962)

    “Popular art is normally decried as vulgar by the cultivated people of its time; then it loses favor with its original audience as a new generation grows up; then it begins to merge into the softer lighting of “quaint,” and cultivated people become interested in it, and finally it begins to take on the archaic dignity of the primitive.”
    —Northrop Frye (b. 1912)