Ratso Rizzo - Production

Production

Midnight Cowboy was Adam Holender's first cinematography assignment; he was recommended to Schlesinger by Holender's childhood friend, filmmaker Roman Polanski.

The opening scenes were filmed in Big Spring, Texas. A roadside billboard stating "IF YOU DON'T HAVE AN OIL WELL...GET ONE!" was shown while the New York-bound bus carrying Joe Buck rolled through Texas. Such advertisements, which were common in the Southwestern United States during the late-1960s and throughout the 1970s, promoted Eddie Chiles' Western Company of North America.

Joe first realizes that the bus was soon approaching New York when he heard a Ron Lundy broadcast on WABC while listening to his portable radio. At the time the movie was being filmed in 1968, Lundy worked the midday shift (10 AM–1 PM) Monday through Saturday at the radio station.

Joe stayed at the Hotel Claridge, which was located at the southeast corner of Broadway and West 44th Street in Midtown Manhattan. His room overlooked the northern half of Times Square. The building, designed by D. H. Burnham & Company and opened in 1911, has since been demolished.

A motif that was featured three times throughout the New York part of the movie was the sign at the top of the facade of the Mutual of New York (MONY) Building. It was extended into the scribbage scene with Shirley the socialite when Joe's incorrect spelling of the word "money" matched that on the signage.

Despite his portrayal of Joe Buck, a character hopelessly out of his element in New York, Jon Voight is a native New Yorker, hailing from Yonkers. Dustin Hoffman, who played a grizzled veteran of New York's streets, is actually from Los Angeles.

The line "I'm walkin' here!", which reached #27 on AFI's 100 Years... 100 Movie Quotes, is often said to have been improvised, but producer Jerome Hellman disputes this account on the 2-disc DVD set of Midnight Cowboy. The cab was driven by a hired actor during a scripted take, and the production team filmed it to look like an ad-lib. However, Hoffman explained it differently on an installment of Bravo's Inside the Actors Studio. He stated that there were many takes to hit that traffic light just right so they didn't have to pause while walking. That take, the timing was perfect and the cab came out of nowhere and nearly hit them. Hoffman wanted to say "We're filming a movie here!", but he decided not to ruin the take.

Upon initial review by the Motion Picture Association of America, Midnight Cowboy received a "Restricted" ("R") rating (Persons under 16 not admitted unless accompanied by parent or adult guardian). However, after consulting with a psychologist, executives at United Artists were told to accept an "X" rating (Persons under 17 will not be admitted) due to the "homosexual frame of reference" and its "possible influence upon youngsters". The film was released with an X. The MPAA later broadened the requirements for the "R" rating to allow more content, and in addition raised the age restriction from sixteen to seventeen. The film was later rated "R" for a reissue in 1971 with no edits made. The R rating for the film remains to this day.

Read more about this topic:  Ratso Rizzo

Famous quotes containing the word production:

    Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.
    Karl Marx (1818–1883)

    ... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.
    Emma Goldman (1869–1940)

    Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.
    Erich Fromm (1900–1980)