Rastafarians - Culture - Music - Reggae

Reggae

Reggae was born amidst poor blacks in Trenchtown, the main ghetto of Kingston, Jamaica, who listened to radio stations from the United States. Jamaican musicians, many of them Rastas, soon blended traditional Jamaican folk music and drumming with American R&B, and jazz into ska, that later developed into reggae under the influence of soul.

Reggae began to enter international consciousness in the early 1970s, and Rastafari mushroomed in popularity internationally, largely due to the fame of Bob Marley, who actively and devoutly preached Rastafari, incorporating Nyabinghi and Rastafarian chanting into his music, lyrics and album covers. Songs like "Rastaman Chant" led to the movement and reggae music being seen as closely intertwined in the consciousness of audiences across the world. Other famous reggae musicians with strong Rastafarian elements in their music include Peter Tosh, Freddie McGregor, Toots & the Maytals, Burning Spear, Black Uhuru, Prince Lincoln Thompson, Bunny Wailer, Prince Far I, Israel Vibration, The Congos, Adrian Nones, Cornell Campbell, Dennis Brown and hundreds more.

Reggae music expressing Rasta doctrine

The first reggae single that sang about Rastafari and reached Number 1 in the Jamaican charts was Bongo Man by Little Roy in 1969. Early Rasta reggae musicians (besides Marley) whose music expresses Rastafari doctrine well are Peter Tosh, Bunny Wailer (in Blackheart Man), Prince Far I, Linval Thompson, Ijahman Levi (especially the first 4 albums), Misty-in-Roots (Live), The Congos (Heart of the Congos), The Rastafarians, The Abyssinians, Culture, Big Youth, and Ras Michael And The Sons Of Negus. The Jamaican jazz percussionist Count Ossie, who had played on a number of ska and reggae recordings, recorded albums with themes relating to Rasta history, doctrine, and culture.

Rastafari doctrine as developed in the 1980s was further expressed musically by a number of other prominent artists, such as Burning Spear, Steel Pulse, Third World, The Gladiators, Sister Carol, Black Uhuru, Aswad, and Israel Vibration. Rastafari ideas have spread beyond the Jamaican community to other countries including Russia, where artists such as Jah Division write songs about Jah, and South Africa where Lucky Dube first learned reggae music from Peter Tosh recordings. Afro-American punk band Bad Brains are notable followers of the Rastafari movement and have written songs ("I Against I", etc.) that promote the doctrine.

In the 21st century, Rastafari sentiments are spread through roots reggae and dancehall, subgroups of reggae music, with many of their most important proponents promoting the Rastafari religion, such as Capleton, Sizzla, Anthony B, Barrington Levy, Jah Mason, Pressure, Midnite, Natural Black, Luciano, Cocoa Tea, Jah Cure and Richie Spice. Several of these acts have gained mainstream success and frequently appear on the popular music charts. Most recently artists such as Damian Marley (son of Bob Marley), Alborosie and Million Stylez have blended hip-hop with reggae to re-energize classic Rastafari issues such as social injustice, revolution and the honour and responsibility of parenthood using contemporary musical style.

Berlin-based dub techno label "Basic Channel" has subsidiary labels called "Rhythm & Sound" and "Burial Mix" whose lyrics strongly focus on many aspects of Rastafari culture and ideology, including the acceptance of Haile Selassie I. Notable tracks include "Jah Rule", "Mash Down Babylon", "We Be Troddin'", and "See Mi Yah". Irish singer-songwriter Sinéad O'Connor released two rastafari/roots reggae CDs – "Throw Down Your Arms" and "Theology".