Rastafarians - Culture - Music

Music

Music has long played an integral role in Rastafari, and the connection between the movement and various kinds of music has become well known, due to the international fame of reggae musicians such as Bob Marley and Peter Tosh.

Niyabinghi chants are played at worship ceremonies called grounations, that include drumming, chanting and dancing, along with prayer and ritual smoking of cannabis. The name Nyabinghi comes from an East African movement from the 1850s to the 1950s that was led by people who militarily opposed European imperialism. This form of nyabinghi was centered around Muhumusa, a healing woman from Uganda who organized resistance against German colonialists. In Jamaica, the concepts of Nyabinghi were appropriated for similar anti-colonial efforts, and it is often danced to invoke the power of Jah against an oppressor.

African music survived slavery because many slaveowners encouraged it as a method of keeping morale high. Afro-Caribbean music arose with the influx of influences from the native peoples of Jamaica, as well as the European slaveowners.

Another style of Rastafari music is called burru drumming, first played in the Parish of Clarendon, Jamaica, and then in West Kingston. Burru was later introduced to the burgeoning Rasta community in Kingston by a Jamaican musician named Count Ossie. He mentored many influential Jamaican ska, rock steady, and reggae musicians. Through his tutelage, they began combining New Orleans R&B, folk mento, jonkanoo, kumina, and revival zion into a unique sound. The burru style, which centers on three drums — the bass, the alto fundeh, and the repeater — would later be copied by hip hop DJs.