Movie
As of 7 January 2008, United Artists has optioned the film rights for The Ruins of Gorlan and is in talks with Oscar-winning filmmaker Paul Haggis to adapt and direct the movie. When John Flanagan first heard the news he said:
It's just so overwhelming to see that the Ranger's series is set to head off in yet another exciting direction. When I think how this all started as a series of twenty short stories written for my son Michael, it sets my head spinning to think there's the distinct possibility that it will now be translated into movies and seen by millions of people around the world.
However, more recently the film has been delayed due to funding issues. Author John Flanagan advises on his website that writer-director Paul Haggis remains committed to the project.
On 21 January 2013 it was revealed on the Ranger's Apprentice Facebook page that John Flanagan had been in discussions with movie producers.
Read more about this topic: Ranger's Apprentice
Famous quotes containing the word movie:
“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!—that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms—nothing more. A quick switch of the dial and they disappeared and who could lament the loss?”
—Joyce Carol Oates (b. 1938)
“It was easy to recognize in him the anti-social animus of a born evangelist, but there was also something else—a kind of voluptuous delight in the shabby and preposterous, a perverted aestheticism like that of a latter-day movie or radio fan, a wild will to roll in and snuffle balderdash as a cat rolls in and snuffles catnip.”
—H.L. (Henry Lewis)
“Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straightshooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.”
—Camille Paglia (b. 1947)