Work
Early in his career, O'Toole worked with environmental groups to oppose the United States Forest Service's subsidized sales of public forest timber to the logging industry. His book Reforming the Forest Service built on his experience during this effort, and proposed a number of free-market solutions to management of U.S. public land and timber. He has written analyses of the usage and development plans of a number of U.S. national forests, working with state environmental agencies and other groups.
In the 1990s, O'Toole emerged as an outspoken critic of New Urbanist design and smart growth strategies after learning in 1995 of a county plan to rezone his neighborhood to allow higher density and mixed use development. O'Toole contends that these development strategies—in which regulatory measures and tax incentives are employed to encourage denser development, more efficient land use, and greater use of public transportation—ignore the desires and preferences of most housing consumers and ultimately waste public funds. He has campaigned against smart growth policies and light rail systems in several U.S. states as well as in Winnipeg, Manitoba, and Ottawa, Ontario.
His 2001 book The Vanishing Automobile and Other Urban Myths was written as a detailed critique of these styles of planning. He continues to advocate for free market solutions to urban planning and design in his writing and teaching, and is a staunch defender of urban sprawl.
O'Toole has been criticized for declaring that roadways pay for themselves and are the best use of public funds, even though highways are some of the most expensive public works projects. Detractors have noted O'Toole's selective use of information, undocumented statistics, and unverifiable sources of information in order to support his claims against rail transit.
Read more about this topic: Randal O'Toole
Famous quotes containing the word work:
“I knew that my vocation was found. I had received the call, and having done so, I was sure my work would be assigned me. Of some things we feel quite certain. Inside there is a click, a kind of bell that strikes, when the hands of our destiny meet at the meridian hour.”
—Amelia E. Barr (1831–1919)
“Human life itself may be almost pure chaos, but the work of the artist—the only thing he’s good for—is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning. Even if it’s only his view of a meaning. That’s what he’s for—to give his view of life.”
—Katherine Anne Porter (1890–1980)
“The real risks for any artist are taken ... in pushing the work to the limits of what is possible, in the attempt to increase the sum of what it is possible to think. Books become good when they go to this edge and risk falling over it—when they endanger the artist by reason of what he has, or has not, artistically dared.”
—Salman Rushdie (b. 1947)