Work
Blakelock taught himself to paint through trial and error, and continued to use improvisation as an artistic method throughout his life. He was also an accomplished musician, and would use his improvised piano compositions as inspiration for his paintings. He would work on paintings for years, building layers and then scoring, scraping, or rubbing them away.
Blakelock's early landscapes have their genesis in the style of the Hudson River school of painters. In time, he developed a more subjective and intimate style. His favorite themes were those depicting the wilderness and solitude; evocative and emotional paintings of illuminated moments in nature, of moonlit landscapes and twilight hours and Indian camps in the solitude of nature. He was also heavily influenced by the French Barbizon School, whose painters also favored dark forests and heavily worked surfaces. Blakelock technique was highly personal and through his individualistic style his paintings summoned the viewer into a luminous, almost other worldly realm. In the majority of his paintings, space is given depth by the use of light; moonlight most often. Along with his contemporary Albert Pinkham Ryder, Ralph Albert Blakelock was one of the most individual American painters of his time.
One of his many paintings entitled Moonlight was sold at the highest price ever paid for the work of a living American artist at that time. Sadly, his rise in public notoriety along with the increase in his art sales never benefited his family or himself. By 1903 his works were being forged, so much so, that he remains today as "perhaps the most forged" artist in America. Such was the final ironic touch to one of the most tragic stories in American art.
Read more about this topic: Ralph Albert Blakelock
Famous quotes containing the word work:
“It is easy to see that what is best written or done by genius in the world, was no man’s work but came by wide social labor, when a thousand wrought like one, sharing the same impulse.”
—Ralph Waldo Emerson (1803–1882)
“I watched a small man with thick calluses on both hands work fifteen and sixteen hours a day. I saw him once literally bleed from the bottoms of his feet, a man who came here uneducated, alone, unable to speak the language, who taught me all I needed to know about faith and hard work by the simple eloquence of his example.”
—Mario Cuomo (b. 1932)
“One should either be a work of art, or wear a work of art.”
—Oscar Wilde (1854–1900)