Rainbow Nation Peace Ritual

Rainbow Nation Peace Ritual

The day after F W De Klerk's landmark announcement that the African National Congress (ANC) and other political organisations would be unbanned and Nelson Mandela would be released from prison, a small group of Capetonians took to the streets in an act of guerrilla street theatre. The Rainbow Nation Peace Ritual as it eventually came to be known, was actually planned some ten days before the announcement by the Rainbow People's Party and the ritual, march, celebration or carnival, call it what you will, involved children as well as innocent bystanders who were taken by surprise.

It lasted only for a couple of hours, beginning at the Old Townhouse in Greenmarket Square, Cape Town, proceeded down Shortmarket Street and ended up in St George's Mall.

While the ideal of a new tribe of rainbow people was always a part of South African counter-culture, it was only after Archbishop Desmond Tutu officially "named" the Rainbow Nation, that the phrase became accepted across the board. However the fact remains, that on February 3, 1990, a cross-cultural mix of hippies, street kids, Rastas and artists, a veritable "band of modern merry pranksters" danced through the streets of Cape Town and invoked the goddess of peace and spirits of abundance to awaken and greet a new age of freedom.

What is also significant about this event, is the willing participation of a banner painted by Beezy Bailey, joined by the anarchist Nat Tardrew, filmographer Nodi Murphy, ecologist and artist Karen Rolfes, performance artist Rehane Abrahams, publisher David Robert Lewis, musician Philip Nangle, an art teacher called "Johno" along with an assortment of characters that appear on a piece of documentary footage shot by Craig Mathews of Doxa Productions.

Read more about Rainbow Nation Peace Ritual:  See Also

Famous quotes containing the words rainbow, nation, peace and/or ritual:

    We have not the reverent feeling for the rainbow that a savage has, because we know how it is made. We have lost as much as we gained by prying into that matter.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    Methinks I see in my mind a noble and puissant nation rousing herself like a strong man after sleep, and shaking her invincible locks. Methinks I see her as an eagle mewing her mighty youth, and kindling her undazzled eyes at the full midday beam.
    John Milton (1608–1674)

    Come, live with me and be my love,
    And we will all the pleasures prove
    Of peace and plenty, bed and board,
    That chance employment may afford.
    Cecil Day Lewis (1904–1972)

    Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straightshooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.
    Camille Paglia (b. 1947)