Rainbow Nation Peace Ritual
The day after F W De Klerk's landmark announcement that the African National Congress (ANC) and other political organisations would be unbanned and Nelson Mandela would be released from prison, a small group of Capetonians took to the streets in an act of guerrilla street theatre. The Rainbow Nation Peace Ritual as it eventually came to be known, was actually planned some ten days before the announcement by the Rainbow People's Party and the ritual, march, celebration or carnival, call it what you will, involved children as well as innocent bystanders who were taken by surprise.
It lasted only for a couple of hours, beginning at the Old Townhouse in Greenmarket Square, Cape Town, proceeded down Shortmarket Street and ended up in St George's Mall.
While the ideal of a new tribe of rainbow people was always a part of South African counter-culture, it was only after Archbishop Desmond Tutu officially "named" the Rainbow Nation, that the phrase became accepted across the board. However the fact remains, that on February 3, 1990, a cross-cultural mix of hippies, street kids, Rastas and artists, a veritable "band of modern merry pranksters" danced through the streets of Cape Town and invoked the goddess of peace and spirits of abundance to awaken and greet a new age of freedom.
What is also significant about this event, is the willing participation of a banner painted by Beezy Bailey, joined by the anarchist Nat Tardrew, filmographer Nodi Murphy, ecologist and artist Karen Rolfes, performance artist Rehane Abrahams, publisher David Robert Lewis, musician Philip Nangle, an art teacher called "Johno" along with an assortment of characters that appear on a piece of documentary footage shot by Craig Mathews of Doxa Productions.
Read more about Rainbow Nation Peace Ritual: See Also
Famous quotes containing the words rainbow, nation, peace and/or ritual:
“One doesn’t look at a rainbow any longer that lasts a quarter of an hour.”
—Johann Wolfgang Von Goethe (1749–1832)
“It was a time of madness, the sort of mad-hysteria that always presages war. There seems to be nothing left but war—when any population in any sort of a nation gets violently angry, civilization falls down and religion forsakes its hold on the consciences of human kind in such times of public madness.”
—Rebecca Latimer Felton (1835–1930)
“The deep, deep peace of the double-bed after the hurly-burly of the chaise-lounge.”
—Patrick, Mrs. Campbell (1865–1940)
“Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straightshooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.”
—Camille Paglia (b. 1947)