Plot
When Rainbow Brite (Bettina Bush) and her magical horse Starlite (Andre Stojka), go to Earth to start spring, they meet Stormy (Marissa Mendenhall), another magical girl who controls the season of winter with her horse Skydancer (Peter Cullen). Stormy, however, doesn't want to end her winter fun, so Rainbow battles her for control over the season. Stormy proves to be no match for Rainbow and Starlite, who outrun her and head off to Earth. When they arrive, they meet up with Brian (Scott Menville), the only boy on Earth who can "see" Rainbow and Starlite.
Once Rainbow tries to start spring, however, her power weakens and winter remains. Brian becomes worried that spring will never come and senses that all of humanity is losing hope. Even Stormy is confused. Reassuring Brian that they will do what they can to return spring, Rainbow and Starlite return to Rainbowland.
Rainbow is paid a visit by a strange robotic horse with rockets for legs named On-X (Pat Fraley). He presents an urgent message from a legendary Sprite named Orin (Les Tremayne) who explains the luminous and magical planet Spectra, a planet of pure diamond that "all light in the universe has to pass through," has grown dark. If it dims completely, all life in the universe will die.
Rainbow takes the mission to find Orin and later learns that Spectra is dimming as the result of a massive net being woven around the surface. The net is being made so that a selfish princess (Rhonda Aldrich), known only as the "Dark Princess," can steal Spectra, "the greatest diamond in all the universe," for herself, and tow it back to her world with her massive spaceship. The native Sprites of Spectra, enslaved by Glitterbots under the Princess's control, are being forced to weave the net. Now Rainbow has to stop the Princess's plan before all life on Earth is frozen solid by an endless winter.
Helping Rainbow and Starlite is Krys (David Mendenhall), a boy from Spectra. Krys believes he can take on the evil Princess and save his home world by himself without the help of a "dumb girl." When they meet Orin, the wise Sprite tries to make the two children get along and work together to stop the evil Princess. Orin tells them that they can only destroy her by combining their own powers against her.
Getting in the way of their mission is the sinister Murky Dismal (Peter Cullen) and his bumbling assistant Lurky (Pat Fraley) who, as usual, are lavishing in the new gloom created by the darkening of Spectra, as well as trying to steal Rainbow's magical color belt.
After dodging Murky, Rainbow and Krys enter the Dark Princess's castle and try to convince her that what she is doing will destroy the universe, but the spoiled and uncaring Princess is determined to have the diamond planet for herself and traps the children instead. Working together, Rainbow and Krys escape and use their powers to destroy the Princess' spaceship, which extends an array of robotic claws to grab the net around Spectra. (It is often assumed that Princess herself is also destroyed in this scene, but she actually returns in the Rainbow Brite animated series' 1986 episode "The Queen of the Sprites".)
Once the Princess is defeated, the enslaved Sprites are freed and immediately destroy the net so that Spectra radiates its magical light once again. On Earth, a warm spring finally arrives as life returns to the planet and Rainbow returns to Rainbowland finding her friends are back to normal.
Read more about this topic: Rainbow Brite And The Star Stealer
Famous quotes containing the word plot:
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)