Raffi's Christmas Album - Musicians

Musicians

  • Raffi - guitar, vocals
  • Ken Whiteley - acoustic, electric and lap steel guitars, autoharp, mandolin, glockenspiel, banjo, accordion, piano, electric piano, tambourine, vocals
  • Chris Whiteley - harmonica, trumpet
  • Tom Szczesniak - accordion, table hockey
  • Moe Koffman - flute
  • Dennis Pendrith - bass guitar
  • "Bucky" Berger - drums, sleigh bells
  • Patrick Godfrey - piano (Side 1: #6, 7)
  • Cathy Ambrose - piano (Side 2: #7)
  • Graham Townsend - fiddle
  • The Canadian Brass:
    • Charles Daellenbach - tuba
    • Eugene Watts - trombone
    • Graeme Page - French horn
    • Fred Mills - trumpet
    • Ronald Romm - trumpet, flugelhorn
    • Arrangements for the Canadian Brass by Eric Robertson
  • Vocalists: Caitlin Hanford, Mose Scarlett, David Wall, Ben Stein
  • Firgrove Public School Choir Members (Under the guidance of Cathy Ambrose): Jacen Brathwaite, Chris Brown, Susan Dewkinandan, Denee Dunn, Monica Senior, Linda Prakash
  • Also Raffi's friends Lee Richards and Lindsay Roth

Read more about this topic:  Raffi's Christmas Album

Famous quotes containing the word musicians:

    We stand in the tumult of a festival.
    What festival? This loud, disordered mooch?
    These hospitaliers? These brute-like guests?
    These musicians dubbing at a tragedy,
    A-dub, a-dub, which is made up of this:
    That there are no lines to speak? There is no play.
    Wallace Stevens (1879–1955)

    How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?
    In New York City, U.S. public relief program (1935-1943)

    As if the musicians did not so much play the little phrase as execute the rites required by it to appear, and they proceeded to the necessary incantations to obtain and prolong for a few instants the miracle of its evocation, Swann, who could no more see the phrase than if it belonged to an ultraviolet world ... Swann felt it as a presence, as a protective goddess and a confidante to his love, who to arrive to him ... had clothed the disguise of this sonorous appearance.
    Marcel Proust (1871–1922)