Plot
Bart and Milhouse are thrilled to hear that a film version of their favorite comic book series, Radioactive Man, is in production. Rainier Wolfcastle, the star of the McBain films, is chosen to play Radioactive Man, and even more excitingly for the Springfield Elementary School children, the production moves to their town. A search is launched for a young actor to play Radioactive Man's sidekick Fallout Boy, and Bart auditions. Bart does well, but is rejected because he is an inch too short, and by this point Milhouse has already taken the part, albeit reluctantly.
A despondent Bart is told by Lisa that he is still needed as Milhouse's friend and confidant, and Bart eagerly accepts this new role. However, Milhouse finds his own job intolerable and disappears, right during the filming of the most expensive scene in the movie. The film is suspended while the townspeople search for Milhouse. Eventually Bart finds him in the treehouse, but despite encouragement from former child star Mickey Rooney, Milhouse gives up on his acting career. All production on the film is aborted, with the project bankrupt, thanks to price gouging and other unscrupulous conduct by the people of Springfield. Despite Rooney's stern lecture about their greed, Mayor Quimby insists the townspeople can not give any of the directors' money back to them, so the directors return to Hollywood — "where people treat each other right".
Read more about this topic: Radioactive Man (The Simpsons Episode)
Famous quotes containing the word plot:
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)