Plot
Bart and Milhouse are thrilled to hear that a film version of their favorite comic book series, Radioactive Man, is in production. Rainier Wolfcastle, the star of the McBain films, is chosen to play Radioactive Man, and even more excitingly for the Springfield Elementary School children, the production moves to their town. A search is launched for a young actor to play Radioactive Man's sidekick Fallout Boy, and Bart auditions. Bart does well, but is rejected because he is an inch too short, and by this point Milhouse has already taken the part, albeit reluctantly.
A despondent Bart is told by Lisa that he is still needed as Milhouse's friend and confidant, and Bart eagerly accepts this new role. However, Milhouse finds his own job intolerable and disappears, right during the filming of the most expensive scene in the movie. The film is suspended while the townspeople search for Milhouse. Eventually Bart finds him in the treehouse, but despite encouragement from former child star Mickey Rooney, Milhouse gives up on his acting career. All production on the film is aborted, with the project bankrupt, thanks to price gouging and other unscrupulous conduct by the people of Springfield. Despite Rooney's stern lecture about their greed, Mayor Quimby insists the townspeople can not give any of the directors' money back to them, so the directors return to Hollywood — "where people treat each other right".
Read more about this topic: Radioactive Man (The Simpsons Episode)
Famous quotes containing the word plot:
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)