Recording
In early September 2007, work on Radio Wars started when the band re-recorded and self-produced, "Cities Burning Down", at Sing Sing Studios, Melbourne. Previously titled "This City's Burning", it had appeared as the b-side on the 2006 singles, "Low Happening" and "Wishing Stone". They felt the song needed more life, so extra instrumentation was added to deliver a bigger sound. As "Cities Burning Down", it became the album's second track.
Howling Bells sought a producer that had experience working on electronic-sounding records. Producer and mixer, Dan Grech-Marguerat, who had previously worked with Howling Bells' manager, had listened to demos of the new tracks. The band knew of his collaborations with Radiohead and Air, and thought he could help develop their new sound. He came to their rehearsal studio with handwritten notes about the new songs and expressed what he could add. This encouraged the band, and they agreed to let him produce the album.
Dan challenged us a lot as well, which we’ve never had before. He had a lot of inspiring ideas. Basically it was like he was part of the band for the duration of the time we were working with him, which was really, really good.
“ ” –Joel referring to Dan Grech-Marguerat.In January 2008, Howling Bells recorded more tracks for Radio Wars, now working at The Sound Factory, in Los Angeles. The band chose Los Angeles as they wanted a recording experience which was different from previous sessions. Radio Wars was about Howling Bells being optimistic and united in spirit. Looking to bring a more colourful perspective with a new sound and new feel, the group opted for a more electronic texture. Picchio and Joel experimented with synthesisers, and Moule's percussion parts were more distinct than his previous work. Grech-Marguerat worked prolonged hours and experimented considerably, in an effort to bring more life to each song. The band often struggled with ideas that were presented by him, and the recording sessions were burdened by occasional arguments. Though, members of the band attested that it ultimately worked out.
Five of the demos created for Radio Wars were not used on the final product. Just over half the songs that appeared on the album were recorded in LA: "Treasure Hunt", "Nightingale", "Ms. Bell's Song/Radio Wars Theme", "Golden Web", "Into the Chaos" (minus the strings), and the hidden track, "To LA". After the band returned from Los Angeles, they recorded "It Ain't You", "Let's Be Kids", and "Digital Hearts" at AIR Studios in London. Session musicians recorded string and brass instruments for a number of the tracks at Mayfair Studios. The last song to be recorded for Radio Wars was a 1950's style ballad entitled "How Long", which Joel had written the lyrics for. The rest of the band liked it, so arrangements were made to go back into a non-specified London studio where they spent two days recording it. Twenty-two songs had been created by the end of their recording sessions, in July 2008. The album was mixed by Cenzo Townshend at Olympic Studios.
Read more about this topic: Radio Wars (album)
Famous quotes containing the word recording:
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)