Plot
Joe (Woody Allen), the narrator, explains how the radio influenced his childhood in the days before TV. The young Joe (Seth Green) lives in New York City in the late 1930s. The tale mixes Joe's experiences with his remembrances and anecdotes, inserting his memories of the urban legends of radio stars, and is told in constantly changing plot points and vignettes.
Even though Joe's Jewish-American family lives modestly in Rockaway Beach, each member at one point during the film finds in radio shows an escape from reality through the gossip of celebrities, sports legends of the day, game shows, and crooners, with the majority of the stories taking place in the glitz and glamour of Manhattan. For Joe, the action adventure shows on the radio inspire him as he daydreams about buying a secret decoder ring, an attractive substitute teacher, movie stars (who may or not be as honest as they appear), and World War II.
Meanwhile, several other parallel stories are told, from an aspiring radio star named Sally White (Mia Farrow), Joe's Aunt Bea (Dianne Wiest) and her (mostly fruitless) search for love, and during the middle of the film on the radio the tragic story is told about a little girl named Polly Phelps, who falls into a well near Stroudsburg, Pennsylvania. It becomes a big national story and as the family listens to it. Sadly, Polly does not survive.
Read more about this topic: Radio Days
Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)