Roles
| Role | Voice type | Premiere Cast, 27 April 1720 |
Revised version Premiere Cast, 28 December 1720 |
Revised version Premiere Cast, 1728 |
|---|---|---|---|---|
| Radamisto, son of Farasmane |
soprano / alto castrato |
Margherita Durastanti |
Senesino | Senesino |
| Zenobia, his wife |
contralto / soprano / soprano |
Anastasia Robinson |
Margherita Durastanti |
Faustina Bordoni |
| Tiridate, King of Armenia |
tenor / bass | Alexander Gordon |
Giuseppe Maria Boschi |
Giuseppe Maria Boschi |
| Polissena, his wife, daughter of Farasmane |
soprano | Ann Turner Robinson |
Maddalena Salvai | Francesca Cuzzoni |
| Farasmane, King of Thrace |
bass | Lagarde | Lagarde | Giovanni Battista Palmerini |
| Tigrane, Prince of Pontus |
soprano / soprano castrato / alto castrato |
Caterina Galerati |
Matteo Berselli | Antonio Baldi |
| Fraarte, brother of Tiridate |
soprano castrato / soprano |
Benedetto Baldassari |
Caterina Galerati |
(role cut) |
Read more about this topic: Radamisto (Handel)
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“There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to accept—and in their acceptance seem to reinforce—these roles at home with both their sons and their daughters.”
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“A concern with parenting...must direct attention beyond behavior. This is because parenting is not simply a set of behaviors, but participation in an interpersonal, diffuse, affective relationship. Parenting is an eminently psychological role in a way that many other roles and activities are not.”
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