Career
Rachel began her acting career in 1998, when she has played Juliet in the drama Romeo and Juliet. In 2000, she took part in two theater productions, both at Wellingborough Castle Youth Theatre: Road, in the role of Helen, and Haroun and the Sea of Stories. In 2001, she played Abigail in The Crucible at Wellingborough Castle Youth Theatre. Rachel was in the cast of Bad'nuff in London's Soho Theatre, playing Jay. In 2004, she played Amy in the hit teen drama I Dream on the BBC. In 2007, Rachel played Margo in My Family and Other Animals at the Jersey Arts Centre/Corfu. From November 2008 to January 2009, Rachel played Belle in Beauty and the Beast at the South Hill Park Hill Arts Centre in Bracknell. From 2008 to 2010, she played Sofia in Sofia's Diary on Bebo and Channel 5 (UK). She also appeared in the Busted's "What I go to school for" video, as a school girl. She was an extra in Harry Potter and The Prisoner of Azkaban as an Hogwarts' chorus member.
Read more about this topic: Rachel Hyde-Harvey
Famous quotes containing the word career:
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)