Career
Rachel began her acting career in 1998, when she has played Juliet in the drama Romeo and Juliet. In 2000, she took part in two theater productions, both at Wellingborough Castle Youth Theatre: Road, in the role of Helen, and Haroun and the Sea of Stories. In 2001, she played Abigail in The Crucible at Wellingborough Castle Youth Theatre. Rachel was in the cast of Bad'nuff in London's Soho Theatre, playing Jay. In 2004, she played Amy in the hit teen drama I Dream on the BBC. In 2007, Rachel played Margo in My Family and Other Animals at the Jersey Arts Centre/Corfu. From November 2008 to January 2009, Rachel played Belle in Beauty and the Beast at the South Hill Park Hill Arts Centre in Bracknell. From 2008 to 2010, she played Sofia in Sofia's Diary on Bebo and Channel 5 (UK). She also appeared in the Busted's "What I go to school for" video, as a school girl. She was an extra in Harry Potter and The Prisoner of Azkaban as an Hogwarts' chorus member.
Read more about this topic: Rachel Hyde-Harvey
Famous quotes containing the word career:
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)