Races And Creatures In His Dark Materials
This is a list of fictional races and creatures in the His Dark Materials series by Philip Pullman.
Read more about Races And Creatures In His Dark Materials: Armoured Bears (panserbjørne), Angels, Arctic Foxes, Gyptians, Spectres, Deaths, Mulefa, Gallivespians, Cliff Ghasts, Tualapi, Harpies
Famous quotes containing the words races and, races, creatures, dark and/or materials:
“Women are most fascinating between the ages of thirty-five and forty, after they have won a few races and know how to pace themselves. Since few women ever pass forty, maximum fascination can continue indefinitely.”
—Christian Dior (1905–1957)
“Listen, my friend, there are two races of beings. The masses teeming and happy—common clay, if you like—eating, breeding, working, counting their pennies; people who just live; ordinary people; people you can’t imagine dead. And then there are the others—the noble ones, the heroes. The ones you can quite well imagine lying shot, pale and tragic; one minute triumphant with a guard of honor, and the next being marched away between two gendarmes.”
—Jean Anouilh (1910–1987)
“As I went forth early on a still and frosty morning, the trees looked like airy creatures of darkness caught napping; on this side huddled together, with their gray hairs streaming, in a secluded valley which the sun had not penetrated; on that, hurrying off in Indian file along some watercourse, while the shrubs and grasses, like elves and fairies of the night, sought to hide their diminished heads in the snow.”
—Henry David Thoreau (1817–1862)
“I remember, I remember
The fir trees dark and high;
I used to think their slender tops
Were close against the sky;
It was a childish ignorance,
But now ‘tis little joy
To know I’m further off from Heaven
Than when I was a boy.”
—Thomas Hood (1799–1845)
“Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called “silent poetry,” and poetry “speaking painting.” The laws of each art are convertible into the laws of every other.”
—Ralph Waldo Emerson (1803–1882)