Style
The writing style reflects the author's intent to use the text for a lecture series. The narration addresses the audience while guiding it through explanations of the issues and anecdotal illustrations. Lewis' charismatic, eloquent, and energetic oration style is reflected in the writing. The tone has been described as loud and persuasive. One reviewer called it "vintage Lewis – incisive criticism leavened with high-blown rhetoric". The book focuses more upon real-world human experiences, rather than numbers and statistics, in discussing the effect of AIDS in sub-Saharan Africa and the world's response. Lewis' eyewitness accounts are candid and vivid. For example, he recounts tours of hospitals and schools as he explains the dire straits of national health and education sectors, and he describes meetings with diplomats and staff from the UN, World Bank, and IMF as he explains their effect on foreign aid policies. The book is written from an idealistic perspective and, despite the anger and underlying sense of guilt, Lewis remains optimistic. While he was a professional diplomat, his memoir-style reflections on specific people, such as Michel Camdessus, Carol Bellamy, and Thabo Mbeki were called undiplomatic. Despite the book's undiplomatic style, Lewis retained his post as a UN Special Envoy until the term completed in December 2006.
Read more about this topic: Race Against Time: Searching For Hope In AIDS-Ravaged Africa
Famous quotes containing the word style:
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (1809–1849)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)