Career
Raaj Kumar started his career as an Inspector at Mahim police station, Mumbai. It is said that he never saluted his senior officers. Later he turned to movies.
Raaj Kumar was noticed in his earlier films like Rangeeli, Aabshar, Ghamand, and Lakhon Mein Ek, but it was as Prince Naushazad in Sohrab Modi’s Naushervan-e-Adil that he became famous. In his brief role as the husband of Nargis in Mother India, he achieved prominence. He followed this with the unglamorous role of a mill worker in Paigham. He was cast with Sunil Dutt, Shashi Kapoor and Balraj Sahni in B.R. Chopra’s Waqt. In Sridhar’s Dil Ek Mandir, Raaj Kumar essayed the role of a cancer patient.
He also won the Filmfare Award in Best supporting actor category for movies Dil Ek Mandir and Waqt. He was famous for his very stylish dialogue delivery in a God gifted baritone voice. He had mastery over Urdu language. At more than six feet tall and with that loaded baritone voice, his name seems a perfect match to his personality.
Renowned for his impeccable dialogue delivery and most of his dialogues became proverbs and he addressed everyone as "Jaani"
His acting and dialogue delivery was so marvellous that actors like Amitabh Bachchan could not earn courage to work with him even for once in fear that Raj Kumar would pulverise him in the film.
From his screen debut in Rangeeli to God & Gun, his was a fruitful journey of memorable characters in 60-odd films.
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Famous quotes containing the word career:
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)