History
The guild was established in 1882 as The London Guild by Lady Wolverton after being asked to provide garments for a London orphanage. In 1885, The Duchess of Teck became the guild's patron and it was renamed The London Needlework Guild in 1889.
Upon the death of the duchess in 1897, the guild's royal patronage continued under her daughter, The Duchess of York (later Queen Mary), who had worked for the guild from her youth. She formed her own group and personally supervised the arrival and unpacking of the parcels at the Imperial Institute. In 1914, the charity was renamed Queen Mary's Needlework Guild and a new base at Friary Court in St. James's Palace was set up. It then began to supply troops during World War I, with branches being established throughout the Empire and other areas of the world, including China and Argentina. Despite rationing, production continued on a small scale throughout World War II and afterwards.
On 23 March 1953, Queen Mary invited the Presidents of the guild's group to Marlborough House for the Annual General Meeting but was unable to attend and died next the day. The Queen Mother then took over as patron and the charity was renamed Queen Mary's Clothing Guild in 1986, which was felt best to describe the work of charity. In 2010, it took the name Queen Mother's Clothing Guild in honour of its former patron Queen Elizabeth The Queen Mother.
After the death of The Queen Mother in 2002, in 2003 Princess Alexandra took over as patron. Other royal members were Princess Margaret and Princess Mary.
Read more about this topic: Queen Mother's Clothing Guild
Famous quotes containing the word history:
“The history of a soldier’s wound beguiles the pain of it.”
—Laurence Sterne (1713–1768)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)
“Yet poetry, though the last and finest result, is a natural fruit. As naturally as the oak bears an acorn, and the vine a gourd, man bears a poem, either spoken or done. It is the chief and most memorable success, for history is but a prose narrative of poetic deeds.”
—Henry David Thoreau (1817–1862)