Quebec City - Culture

Culture

See also: List of events in Quebec City and Media in Quebec City

Quebec City is known for its Winter Carnival, its summer music festival and for its Saint-Jean-Baptiste Day celebrations.

Tourist attractions located near Quebec City include Montmorency Falls, the Basilica of Sainte-Anne-de-Beaupré, the Mont-Sainte-Anne ski resort, and the Ice Hotel.

Jardin zoologique du Québec, reopened in 2002 after two years of restorations but closed in 2006 after a political decision. It featured 750 specimens of 300 different species of animals. The zoo specialized in winged fauna and garden themes, but also presented several species of mammals. While it emphasized the indigenous fauna of Quebec, one of its principal attractions was the Indo-Australian greenhouse, featuring fauna and flora from these areas.

Parc Aquarium du Québec, reopened in 2002 on a site overlooking the Saint Lawrence River, presents more than 10,000 specimens of mammals, reptiles, fish and other aquatic fauna of North America and the Arctic. Polar bears and various species of seals of the Arctic sector and the "Large Ocean", a large basin offering visitors a view from underneath, form part of the principal attractions.

There are a number of historic sites, art galleries and museums in Quebec City, such as Citadelle of Quebec, Musée national des beaux-arts du Québec, Ursulines of Quebec, and Musée de la civilisation

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Famous quotes containing the word culture:

    “He was one whose glory was an inner glory, one who placed culture above prosperity, fairness above profit, generosity above possessions, hospitality above comfort, courtesy above triumph, courage above safety, kindness above personal welfare, honor above success.”
    —Sarah Patton Boyle, U.S. civil rights activist and author. The Desegregated Heart, part 1, ch. 1 (1962)

    “Insolent youth rides, now, in the whirlwind. For those modern iconoclasts who are without culture possess, apparently, all the courage.”
    —Ellen Glasgow (1873–1945)

    “A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
    —Jacques Barzun (b. 1907)