The Quadroni of St. Charles are two cycles of paintings depicting the life and miracles of St. Charles Borromeo, the first Saint of the Counter-Reformation. These very large paintings (quadroni), approximately five by six metres each, are displayed each November in the Milan Cathedral in honor of St. Charles' name day on November 4. They were also exhibited continuously from November 4, 1999 to November 4, 2000 in honor of the Catholic Jubilee celebrations.
The first cycle was begun in 1602, 26 years after Charles' death, and is the larger of the two. It is known as I fatti della vita del beato Carlo ("The Facts of the Life of Blessed Charles"). It consists of 28 paintings depicting his life, concentrating upon his tenure as Archbishop of Milan. Work on this cycle continued into the late 18th century. The first twenty large paintings, all tempera on canvas, were painted by Il Cerano (4 paintings), Giovanni Mauro della Rovere (Il Fiammenghino) (3), Il Duchino (7), Procaccini (1), Carlo Buzzi (2), Domenico Pellegrini (1), and Morazzone.
The second cycle, I miracoli di San Carlo ("The Miracles of St. Charles"), consists of 24 paintings of Charles' miraculous works and healings. These paintings are smaller than the first set, measuring about 2.4 by 4.4 metres. They were all painted between December 1609 and November 1, 1610, when St. Charles was canonized. These paintings were displayed together with the first cycle for the first time on November 4, 1610 in the Milan Cathedral; the paintings of his miracles could not be displayed until he had been declared a Saint.
Read more about Quadroni Of St. Charles: Gallery of Selected Works
Famous quotes containing the word charles:
“I have seen in this revolution a circular motion of the sovereign power through two usurpers, father and son, to the late King to this his son. For ... it moved from King Charles I to the Long Parliament; from thence to the Rump; from the Rump to Oliver Cromwell; and then back again from Richard Cromwell to the Rump; then to the Long Parliament; and thence to King Charles, where long may it remain.”
—Thomas Hobbes (15791688)