Pygmalion (play) - Influence

Influence

Pygmalion remains Shaw's most popular play. The play's widest audiences know it as the inspiration for the highly romanticized 1956 musical and 1964 film My Fair Lady.

Ironically, Pygmalion has transcended cultural and language barriers since its first production. The British Museum contains "images of the Polish production...; a series of shots of a wonderfully Gallicised Higgins and Eliza in the first French production in Paris in 1923; a fascinating set for a Russian production of the 1930s. There was no country which didn't have its own 'take' on the subjects of class division and social mobility, and it's as enjoyable to view these subtle differences in settings and costumes as it is to imagine translators wracking their brains for their own equivalent of 'Not bloody likely'."

Joseph Weizenbaum named his artificial intelligence computer program ELIZA after the character Eliza Doolittle.

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Famous quotes containing the word influence:

    Who shall set a limit to the influence of a human being? There are men, who, by their sympathetic attractions, carry nations with them, and lead the activity of the human race. And if there be such a tie, that, wherever the mind of man goes, nature will accompany him, perhaps there are men whose magnetisms are of that force to draw material and elemental powers, and, where they appear, immense instrumentalities organize around them.
    Ralph Waldo Emerson (1803–1882)

    Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.
    Percy Bysshe Shelley (1792–1822)

    Imagination is always the fabric of social life and the dynamic of history. The influence of real needs and compulsions, of real interests and materials, is indirect because the crowd is never conscious of it.
    Simone Weil (1909–1943)