Reception
Paul Gravett listed Pure Trance on his recommended reading list. Jason Thompson, in a retrospective review of Mizuno's work, wrote that the "trippy, grindhouse" narrative contained "weak" places and had a tendency to wander; he compared the plot to an apocalyptic film from the 1970s.
From March 13 to June 14, 2009, Pure Trance appeared at an exhibit by the Japan Society in New York, Krazy! The Delirious World of Anime + Manga + Video Games. Critical reaction to the manga was positive. In his review of the exhibit, Ken Johnson of The New York Times highlighted Pure Trance as an example of "impressive" "draftsmanship, design and imagination" in a manga. Writing for About.com, Evan Minto wrote that Pure Trance was on display as an example of "the evolution of the 'manga-style' that is now so synonymous with the medium", because of "its creation of 'hybrid forms' based on traditional manga style, Lolita fashions, and even pornography." Another guest reviewer for About.com, Scott VonSchilling expressed his happiness that one of Mizuno's works was on the display; according to him, Mizuno's works, which have an American cult following, are very recognizable: "Her mash-up of the ultra-cute with dirty and grotesque imagery catches your eye and hooks you in. It initially looks like family-friendly kiddie-fare, but viewers quickly realize that it's some of the most adult material on display."
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Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)