Psmith - Appearances and Names

Appearances and Names

Psmith appears in four novel-length works, all of which appeared as magazine serials before being published in book form.

Original serial appearance Appearances in book form
Dates Magazine Title
April–September 1908 The Captain "The Lost Lambs" "The Lost Lambs" forms the second half of the novel Mike (1909). (The first half republishes the serial "Jackson Junior", in which Psmith does not appear.)

"The Lost Lambs" was later republished separately as:
* Enter Psmith (1935) and
* Mike and Psmith (1953).

October 1908-March 1909 The Captain "The New Fold" Psmith in the City (1910)
October 1909-March 1910 The Captain "Psmith, Journalist" Psmith, Journalist (1915)
February–March, 1923 The Saturday Evening Post "Leave it to Psmith" Leave it to Psmith (1923)

All these works also feature Mike Jackson, Psmith's stolid, cricket-playing friend and sidekick, the original hero and central character of Mike and Psmith in the City, until eclipsed by Psmith's wit and force of personality.

In his first appearance (in Mike, Enter Psmith or Mike and Psmith, depending on edition) Psmith introduces himself as Rupert. He is also referred to as Rupert twice in Psmith in the City.

In Leave it to Psmith, however, he introduces himself as Ronald Eustace. This is perhaps because Leave it to Psmith contains another character named Rupert, the efficient Baxter; Wodehouse presumably thought having two Ruperts would be confusing for readers, and since Psmith is generally referred to by his surname only, it was not unreasonable for Wodehouse to assume that the change would go largely unnoticed.

In the U.S. version of The Prince and Betty, essentially a reworking of Psmith, Journalist, relocated to New York and merged with some elements of the U.K. version The Prince and Betty, the Psmith character is replaced with one Rupert Smith, an American and alumnus of Harvard, who retains many of Psmith's characteristics, including the monocle. A Prince For Hire is another blending of these stories.

Leave it to Psmith differs somewhat in style from its predecessors. While Mike is a school story along the lines of much of Wodehouse's early output, and Psmith in the City and Psmith, Journalist are youthful adventures, Psmith's final appearance fits the pattern of Wodehouse's more mature period, a romantic comedy set in the idyllic, invariably imposter-ridden Blandings Castle, where Psmith fulfils the role of ingenious, unflappable fixer, a part taken elsewhere by the likes of Gally, Uncle Fred, or indeed the mighty Jeeves, and finally shows a romantic streak of his own. Though predating both Jeeves and Uncle Fred by some years, Psmith seems to be a combination of both characters, on the one hand imbued with Jeeves' precision of speech and concern for being well turned out, and on the other hand replete with Uncle Fred's humorous self-expression and insouciant attitude, in which Jeeves would never indulge.

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